Sam Francis

Untitled, 1984

106.7 X 73 inch

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Trolleys (Black & White Unsigned)

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Love Is In The Air (Unsigned)

BANKSY | I Fought The Law, 2004 | Screen-print, 2004 — available on Composition Gallery

Screenprint in colours. Hand-signed, numbered, and blind stamped.// I Fought The Law captures Banksy at the height of his subversive powers, a boldly political screenprint that inverts the visual language of law enforcement to challenge institutional authority. Two policemen crouch in poses of devotion, not over weapons or evidence, but over a small cluster of flowers growing from the pavement — an inversion so complete and so perfectly executed that it carries devastating philosophical force. The composition is anchored by blazing orange text reading 'I FOUGHT THE LAW AND I W...' (the phrase cutting off mid-word, invoking the song by The Clash while suggesting that language itself is truncated, incomplete), rendered in a colour that burns against the muted black-and-white palette of the figures and their urban context. Banksy's logic here is deceptively simple: if police officers — symbols of institutional power, coercion, and control — are depicted with absolute seriousness and reverence focussed on nature and beauty, then perhaps the true law, the true authority worth defending, is the organic world and not the machinery of state. The work was created in 2004, during Banksy's peak period of street-level productivity and political conviction, when his transition to the gallery system was still contested and his work retained maximum provocative power. This signed and numbered edition of 150 remains a cornerstone of his printed oeuvre, representing the marriage of graphic sophistication with political clarity. The bold orange against black and white is also technically masterful, demonstrating complete command of the screenprint medium.

Artwork Copyright © Banksy

I Fought The Law, 2004, 2004

form

Medium

Edition

Screenprint in colours. Hand-signed, numbered, and blind stamped.// I Fought The Law captures Banksy at the height of his subversive powers, a boldly political screenprint that inverts the visual language of law enforcement to challenge institutional authority. Two policemen crouch in poses of devotion, not over weapons or evidence, but over a small cluster of flowers growing from the pavement — an inversion so complete and so perfectly executed that it carries devastating philosophical force. The composition is anchored by blazing orange text reading 'I FOUGHT THE LAW AND I W...' (the phrase cutting off mid-word, invoking the song by The Clash while suggesting that language itself is truncated, incomplete), rendered in a colour that burns against the muted black-and-white palette of the figures and their urban context. Banksy's logic here is deceptively simple: if police officers — symbols of institutional power, coercion, and control — are depicted with absolute seriousness and reverence focussed on nature and beauty, then perhaps the true law, the true authority worth defending, is the organic world and not the machinery of state. The work was created in 2004, during Banksy's peak period of street-level productivity and political conviction, when his transition to the gallery system was still contested and his work retained maximum provocative power. This signed and numbered edition of 150 remains a cornerstone of his printed oeuvre, representing the marriage of graphic sophistication with political clarity. The bold orange against black and white is also technically masterful, demonstrating complete command of the screenprint medium.

Artwork Copyright © Banksy

Banksy

Barcode (unsigned), 2004

Limited Edition Print

Screen-print

EUR 25,000 - 30,000

Banksy

Trolleys, 2007

Limited Edition Print

Screen-print

Inquire For Price

Banksy

Golf Sale (Unsigned), 2003

Limited Edition Print

Screen-print

GBP 13,150

Banksy

Trolleys (Black & White Unsigned), 2007

Limited Edition Print

Screen-print

GBP 14,870

Banksy

I Fought The Law, 2004, 2004

Limited Edition Print

Screen-print

Inquire For Price

Banksy

Love Is In The Air (Unsigned), 2003

Limited Edition Print

Screen-print

Inquire For Price

Banksy

Thrower Triptych (VIP), 2019

Limited Edition Print

Screen-print

Inquire For Price

Banksy

No Ball Games - Grey, 2009

Limited Edition Print

Screen-print

GBP 70,000 - 80,000

Banksy

Laugh Now (unsigned), 2003

Limited Edition Print

Screen-print

GBP 40,000 - 55,000

Banksy

Precision Bombing, 2000

Limited Edition Print

Mixed Media

GBP 250,000 - 280,000

Banksy

Girl With A Balloon, 2004

Limited Edition Print

Screen-print

GBP 240,000 - 270,000

Banksy

Trolley Hunters, 2007

Limited Edition Print

Screen-print

GBP 30,000 - 40,000

Banksy

Barcode, 2004

Limited Edition Print

Screen-print

GBP 70,000 - 90,000

Banksy

Sale Ends (v2), 2017

Limited Edition Print

Screen-print

GBP 28,000 - 35,000

Banksy

Four Soup Cans - Gold On Cream, 2005

Limited Edition Print

Screen-print

GBP 50,000 - 70,000

Banksy

Girl With A Balloon (unsigned), 2004

Limited Edition Print

Screen-print

GBP 90,000 - 110,000

Banksy

Heavy Weaponry, 2004

Limited Edition Print

Mixed Media

GBP 150,000 - 170,000

Banksy

Pulp Fiction (unsigned), 2004

Limited Edition Print

Screen-print

GBP 40,000 - 50,000

Banksy

Grannies, 2006

Limited Edition Print

Silkscreen

USD 32,000 - 38,000

Banksy

Morons (Sepia), 2007

Limited Edition Print

Screen-print

USD 80,000 - 95,000

Banksy

Turf War , 2003

Limited Edition Print

Screen-print

GBP 34,800

Banksy

Applause, 2006

Limited Edition Print

Screen-print

Currently Not Available

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Lettrism is an art form that uses letters, words, and symbols to create artwork. The movement was established in Paris in the 1940s and later gained popularity in the 1950s in America. Lettrisme is the French spelling of the movement's name, derived from the French word for letter.

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