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Screenprint on paper - Signed, dated and numbered // Banksy's Donuts (Chocolate) (2009) is a limited edition screenprint featuring a whimsical and satirical image of a large donut being transported on top of a food truck, surrounded by police motorcycles in an escort formation. The oversized chocolate donut, sprinkled with white sugar, adds a humorous contrast to the seriousness of the police detail. The image critiques consumer culture, excess, and the absurdity of what society values and protects. Rendered in Banksy’s signature stenciled black and white style with selective color for the donut, this piece captures the artist’s sharp wit and social commentary. This edition is signed, dated, and numbered, and is part of a limited release of 299 prints.
Donuts (Chocolate), 2009
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56 x 76 cm
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Screenprint on paper - Signed, dated and numbered // Banksy's Donuts (Chocolate) (2009) is a limited edition screenprint featuring a whimsical and satirical image of a large donut being transported on top of a food truck, surrounded by police motorcycles in an escort formation. The oversized chocolate donut, sprinkled with white sugar, adds a humorous contrast to the seriousness of the police detail. The image critiques consumer culture, excess, and the absurdity of what society values and protects. Rendered in Banksy’s signature stenciled black and white style with selective color for the donut, this piece captures the artist’s sharp wit and social commentary. This edition is signed, dated, and numbered, and is part of a limited release of 299 prints.
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What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.
