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Original C-print on paper - With certification from the Archive of Andre de Dienes and signed by Chuck Murphy // Andre de Dienes’ Nude on Stone Bench (1955) is a classic black-and-white photograph that captures the elegance and strength of the human form in a natural setting. The image features a nude woman reclining on a rough stone bench, her pose elongated and graceful, with her gaze directed off-camera. The rocky background and natural sunlight enhance the organic beauty of the scene, emphasizing the textures of both the figure and the surrounding environment. De Dienes' skillful use of light and shadow creates a sense of depth and warmth, adding to the timeless quality of the composition. Accompanied by certification from the Archive of Andre de Dienes and signed by Chuck Murphy, this original C-print exemplifies mid-20th-century fine art photography's focus on form, texture, and simplicity.
Nude on Stone Bench, 1955
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26.7 x 32.8 cm
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Details
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Original C-print on paper - With certification from the Archive of Andre de Dienes and signed by Chuck Murphy // Andre de Dienes’ Nude on Stone Bench (1955) is a classic black-and-white photograph that captures the elegance and strength of the human form in a natural setting. The image features a nude woman reclining on a rough stone bench, her pose elongated and graceful, with her gaze directed off-camera. The rocky background and natural sunlight enhance the organic beauty of the scene, emphasizing the textures of both the figure and the surrounding environment. De Dienes' skillful use of light and shadow creates a sense of depth and warmth, adding to the timeless quality of the composition. Accompanied by certification from the Archive of Andre de Dienes and signed by Chuck Murphy, this original C-print exemplifies mid-20th-century fine art photography's focus on form, texture, and simplicity.
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What is Superflat?
Superflat is an art movement founded by Takashi Murakami, heavily influenced by anime and manga. The term Superflat refers to the flattened forms found in Japanese animation, graphic art, fine arts, and pop culture, as well as the perceived superficiality of Japanese culture. Murakami's movement, which he self-proclaimed, is considered postmodern and critiques both the depth and shallowness of contemporary Japanese society. Superflat has been highly influential in bridging the gap between high art and popular culture.
