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Original C-print on paper - With certification from the Archive of Andre de Dienes and signed by Chuck Murphy // Andre de Dienes’ Nude on Stone Bench (1955) is a classic black-and-white photograph that captures the elegance and strength of the human form in a natural setting. The image features a nude woman reclining on a rough stone bench, her pose elongated and graceful, with her gaze directed off-camera. The rocky background and natural sunlight enhance the organic beauty of the scene, emphasizing the textures of both the figure and the surrounding environment. De Dienes' skillful use of light and shadow creates a sense of depth and warmth, adding to the timeless quality of the composition. Accompanied by certification from the Archive of Andre de Dienes and signed by Chuck Murphy, this original C-print exemplifies mid-20th-century fine art photography's focus on form, texture, and simplicity.
Nude on Stone Bench, 1955
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Medium
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26.7 x 32.8 cm
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Price
Details
Artist
Styles
Original C-print on paper - With certification from the Archive of Andre de Dienes and signed by Chuck Murphy // Andre de Dienes’ Nude on Stone Bench (1955) is a classic black-and-white photograph that captures the elegance and strength of the human form in a natural setting. The image features a nude woman reclining on a rough stone bench, her pose elongated and graceful, with her gaze directed off-camera. The rocky background and natural sunlight enhance the organic beauty of the scene, emphasizing the textures of both the figure and the surrounding environment. De Dienes' skillful use of light and shadow creates a sense of depth and warmth, adding to the timeless quality of the composition. Accompanied by certification from the Archive of Andre de Dienes and signed by Chuck Murphy, this original C-print exemplifies mid-20th-century fine art photography's focus on form, texture, and simplicity.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
