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Argentic edition on argentic paper, Estate signed // Nu avec fleurs by Andre de Dienes is a timeless black-and-white photograph that captures the elegance and natural beauty of the human form. Created in 1960, this image presents a nude female figure holding a sunflower, positioned to modestly cover herself. Her pose, with head tilted back and an arm raised, evokes a sense of freedom and joy, enhanced by the simplicity of the composition and the gentle contrast of light and shadow. De Dienes, known for his sensitive approach to portraiture, uses the sunflower as a symbolic element, juxtaposing human vulnerability with natural beauty. Printed on argentic paper and estate-signed, this photograph exemplifies de Dienes' refined aesthetic and admiration for the human figure.
Nu avec fleurs, 1960
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Medium
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20 x 18 cm
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Details
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Argentic edition on argentic paper, Estate signed // Nu avec fleurs by Andre de Dienes is a timeless black-and-white photograph that captures the elegance and natural beauty of the human form. Created in 1960, this image presents a nude female figure holding a sunflower, positioned to modestly cover herself. Her pose, with head tilted back and an arm raised, evokes a sense of freedom and joy, enhanced by the simplicity of the composition and the gentle contrast of light and shadow. De Dienes, known for his sensitive approach to portraiture, uses the sunflower as a symbolic element, juxtaposing human vulnerability with natural beauty. Printed on argentic paper and estate-signed, this photograph exemplifies de Dienes' refined aesthetic and admiration for the human figure.
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What is the Dusseldorf school of photography?
The Düsseldorf School of Photography refers to a group of photographers who studied under Bernd and Hilla Becher at the Kunstakademie Düsseldorf during the 1970s. This group was known for its devotion to the black-and-white industrial images characteristic of the German tradition known as New Objectivity. The photographers focused on precise, methodical documentation of industrial structures, often using a detached and objective approach.