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// Desapropriação 3 by André Komatsu is a limited edition lithograph from 2011, with an edition size of 24. This artwork shows a sturdy, minimalist table with a gridded surface, similar in style to Komatsu's other works in the Desapropriação series. A small, irregular break in the grid disrupts the otherwise intact tabletop, creating a subtle yet powerful focal point against the stark black background. Komatsu’s piece reflects themes of fragility within seemingly stable structures, inviting contemplation on disruption and decay within everyday forms. The single rupture in the grid symbolizes the vulnerability of constructed systems and the potential for unexpected breakdowns in what appears to be solid and reliable.
Desapropriaçâo 3 , 2011
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70 x 100 cm
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Details
Artist
Styles
// Desapropriação 3 by André Komatsu is a limited edition lithograph from 2011, with an edition size of 24. This artwork shows a sturdy, minimalist table with a gridded surface, similar in style to Komatsu's other works in the Desapropriação series. A small, irregular break in the grid disrupts the otherwise intact tabletop, creating a subtle yet powerful focal point against the stark black background. Komatsu’s piece reflects themes of fragility within seemingly stable structures, inviting contemplation on disruption and decay within everyday forms. The single rupture in the grid symbolizes the vulnerability of constructed systems and the potential for unexpected breakdowns in what appears to be solid and reliable.
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André Komatsu
Desapropriaçâo 1, 2011
Limited Edition Print
Lithograph
EUR 700
André Komatsu
Desapropriaçâo 2 , 2011
Limited Edition Print
Lithograph
EUR 700
André Komatsu
Desapropriaçâo 3 , 2011
Limited Edition Print
Lithograph
EUR 700
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Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.
