Details
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Original etching on Richard de Bas paper - Published by Editions de L'Herne Paris - Suite: Santa Claus - Hand signed by the artist // Alexander Calder's Santa Claus I (1974) is an intriguing and minimalist etching, characterized by a skeletal figure that hints at Calder's playful and abstract approach. Rendered with simple, linear strokes, the figure bears a haunting mask-like face and stylized ribcage, evoking both whimsy and eeriness. The title, Santa Claus I, adds a layer of irony or mystery, inviting viewers to question the figure’s identity and symbolic role. Created on Richard de Bas paper, the etching is part of a suite published by Editions de L'Herne in Paris and limited to an edition of 175. Measuring 26 3/4 x 20 1/2 inches, this work is signed by Calder and exemplifies his unique ability to create striking imagery with minimal detail.
Santa Claus I, 1974
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67.9 x 52.1 cm
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Details
Artist
Styles
Original etching on Richard de Bas paper - Published by Editions de L'Herne Paris - Suite: Santa Claus - Hand signed by the artist // Alexander Calder's Santa Claus I (1974) is an intriguing and minimalist etching, characterized by a skeletal figure that hints at Calder's playful and abstract approach. Rendered with simple, linear strokes, the figure bears a haunting mask-like face and stylized ribcage, evoking both whimsy and eeriness. The title, Santa Claus I, adds a layer of irony or mystery, inviting viewers to question the figure’s identity and symbolic role. Created on Richard de Bas paper, the etching is part of a suite published by Editions de L'Herne in Paris and limited to an edition of 175. Measuring 26 3/4 x 20 1/2 inches, this work is signed by Calder and exemplifies his unique ability to create striking imagery with minimal detail.
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Le Point De Non Retour (from La Memoire Elementaire), 1976
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What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.
