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Original etching on Richard de Bas paper - Published by Editions de L'Herne Paris - Suite: Santa Claus - Hand signed by the artist // Alexander Calder's Santa Claus I (1974) is an intriguing and minimalist etching, characterized by a skeletal figure that hints at Calder's playful and abstract approach. Rendered with simple, linear strokes, the figure bears a haunting mask-like face and stylized ribcage, evoking both whimsy and eeriness. The title, Santa Claus I, adds a layer of irony or mystery, inviting viewers to question the figure’s identity and symbolic role. Created on Richard de Bas paper, the etching is part of a suite published by Editions de L'Herne in Paris and limited to an edition of 175. Measuring 26 3/4 x 20 1/2 inches, this work is signed by Calder and exemplifies his unique ability to create striking imagery with minimal detail.
Santa Claus I, 1974
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67.9 x 52.1 cm
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Details
Artist
Styles
Original etching on Richard de Bas paper - Published by Editions de L'Herne Paris - Suite: Santa Claus - Hand signed by the artist // Alexander Calder's Santa Claus I (1974) is an intriguing and minimalist etching, characterized by a skeletal figure that hints at Calder's playful and abstract approach. Rendered with simple, linear strokes, the figure bears a haunting mask-like face and stylized ribcage, evoking both whimsy and eeriness. The title, Santa Claus I, adds a layer of irony or mystery, inviting viewers to question the figure’s identity and symbolic role. Created on Richard de Bas paper, the etching is part of a suite published by Editions de L'Herne in Paris and limited to an edition of 175. Measuring 26 3/4 x 20 1/2 inches, this work is signed by Calder and exemplifies his unique ability to create striking imagery with minimal detail.
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What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.
