Details
Artist
Styles
Color screenprint on wove paper. - Signed and numbered in pencil. Printed by Styria Studio, Inc., New York and with their blindstamp. - Co-published by George J. Goodstadt and the Committee to re-elect George McGovern, the full sheet, McGovern for McGovernment (1972) is a bold political screenprint by Alexander Calder, created to support George McGovern’s presidential campaign. Calder’s iconic use of vivid primary colors and simplified forms presents two stylized faces—one yellow, one blue—interlocked around the candidate’s name. The composition, radiating with red, yellow, and white rays, emphasizes dialogue and unity. Printed by Styria Studio and co-published by George J. Goodstadt and the McGovern campaign committee, this work captures Calder’s rare engagement with political activism through art. The print is signed and numbered in pencil and measures 29 7/8 x 42 5/8 inches.
McGovern for McGovernment , 1972
form
Medium
Size
76.2 x 108 cm
- Inches
- Centimeters
Edition
Price
- USD
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- GBP
Details
Artist
Styles
Color screenprint on wove paper. - Signed and numbered in pencil. Printed by Styria Studio, Inc., New York and with their blindstamp. - Co-published by George J. Goodstadt and the Committee to re-elect George McGovern, the full sheet, McGovern for McGovernment (1972) is a bold political screenprint by Alexander Calder, created to support George McGovern’s presidential campaign. Calder’s iconic use of vivid primary colors and simplified forms presents two stylized faces—one yellow, one blue—interlocked around the candidate’s name. The composition, radiating with red, yellow, and white rays, emphasizes dialogue and unity. Printed by Styria Studio and co-published by George J. Goodstadt and the McGovern campaign committee, this work captures Calder’s rare engagement with political activism through art. The print is signed and numbered in pencil and measures 29 7/8 x 42 5/8 inches.
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What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.
