
Details
Artist
Styles
Lithograph, on Rives BFK paper, 1964, signed in pencil, numbered on an edition of 75, published by Maeght, Paris, with full margins. - Image size: 11.5 x 13.75 in. (292 x 349 mm.) Sheet: 26 x 19 in. (660 x 483 mm.) Reference: Catalogue Lust 47 - Kornfeld 398 // Tête d'homme III by Alberto Giacometti, created in 1964, is a lithograph on Rives BFK paper, showcasing the artist’s mastery in capturing the essence of the human figure through minimalistic line work. The print, part of a limited edition of 75 and published by Maeght in Paris, features a haunting, sketch-like portrait of a man’s head. Giacometti’s characteristic use of sparse, yet intensely expressive lines draws attention to the face, creating a sense of depth and vulnerability. The work feels almost ephemeral, as if the figure is emerging or fading into the paper, reflecting Giacometti’s existential exploration of the human condition. The lithograph’s full margins and delicate execution emphasize the simplicity and power of Giacometti's artistic approach. Signed and numbered in pencil, this piece is a poignant representation of his introspective and iconic style.
Tête d'homme III, 1964
form
Medium
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66 x 48.3 cm
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Details
Artist
Styles
Lithograph, on Rives BFK paper, 1964, signed in pencil, numbered on an edition of 75, published by Maeght, Paris, with full margins. - Image size: 11.5 x 13.75 in. (292 x 349 mm.) Sheet: 26 x 19 in. (660 x 483 mm.) Reference: Catalogue Lust 47 - Kornfeld 398 // Tête d'homme III by Alberto Giacometti, created in 1964, is a lithograph on Rives BFK paper, showcasing the artist’s mastery in capturing the essence of the human figure through minimalistic line work. The print, part of a limited edition of 75 and published by Maeght in Paris, features a haunting, sketch-like portrait of a man’s head. Giacometti’s characteristic use of sparse, yet intensely expressive lines draws attention to the face, creating a sense of depth and vulnerability. The work feels almost ephemeral, as if the figure is emerging or fading into the paper, reflecting Giacometti’s existential exploration of the human condition. The lithograph’s full margins and delicate execution emphasize the simplicity and power of Giacometti's artistic approach. Signed and numbered in pencil, this piece is a poignant representation of his introspective and iconic style.
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What is Cubism?
Cubism is an art movement that aimed to depict multiple perspectives of objects or figures within a single picture. Artists Georges Braque and Pablo Picasso pioneered this style around 1907. The name Cubism emerged from their use of geometric shapes and outlines that often resembled cubes, breaking objects down into abstracted forms.