
Details
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Lithograph, 1960, on BFK Rives, signed in pencil, numbered on 90pc, published by Maeght, Paris. plate size: 370 x 265 mm - sheet size 566 x 510 mm. Lust 33 - Maeght 1960 235 - Kornfeld 324 // Alberto Giacometti's Chaise et Guéridon, created in 1960, is a limited edition lithograph measuring 56.6 x 51 cm. This piece, signed and numbered by the artist, captures the essence of solitude through the depiction of a simple chair and a small table, both drawn with Giacometti’s signature delicate and elongated lines. The sparse composition emphasizes the isolation of these everyday objects, inviting viewers to ponder their symbolic relationship to human presence. Giacometti's focus on these mundane items, placed within an undefined space, reflects his fascination with themes of existence and the quiet introspection found in ordinary settings.
Chaise et Guéridon, 1960
form
Medium
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56.6 x 51 cm
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Details
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Styles
Lithograph, 1960, on BFK Rives, signed in pencil, numbered on 90pc, published by Maeght, Paris. plate size: 370 x 265 mm - sheet size 566 x 510 mm. Lust 33 - Maeght 1960 235 - Kornfeld 324 // Alberto Giacometti's Chaise et Guéridon, created in 1960, is a limited edition lithograph measuring 56.6 x 51 cm. This piece, signed and numbered by the artist, captures the essence of solitude through the depiction of a simple chair and a small table, both drawn with Giacometti’s signature delicate and elongated lines. The sparse composition emphasizes the isolation of these everyday objects, inviting viewers to ponder their symbolic relationship to human presence. Giacometti's focus on these mundane items, placed within an undefined space, reflects his fascination with themes of existence and the quiet introspection found in ordinary settings.
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What is Cubism?
Cubism is an art movement that aimed to depict multiple perspectives of objects or figures within a single picture. Artists Georges Braque and Pablo Picasso pioneered this style around 1907. The name Cubism emerged from their use of geometric shapes and outlines that often resembled cubes, breaking objects down into abstracted forms.