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// Albert Ràfols-Casamada's Signe i color-3 (1991) is a limited edition etching that demonstrates his mastery of simplicity and expressive line. The artwork is dominated by a warm ochre background, overlaid with bold, black gestural marks. These lines and shapes appear minimal yet purposeful, giving the piece an architectural quality. The composition is anchored by a central rectangular outline, intersected by fluid lines that hint at form without fully defining it. The title, which translates to Sign and Color, reflects the artist’s exploration of abstract symbols and their relationship to color fields. This piece exudes a meditative calm, inviting viewers to ponder the silent dialogue between line and space.
Signe i color- 3 , 1991
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76 x 56 cm
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Details
Artist
Styles
// Albert Ràfols-Casamada's Signe i color-3 (1991) is a limited edition etching that demonstrates his mastery of simplicity and expressive line. The artwork is dominated by a warm ochre background, overlaid with bold, black gestural marks. These lines and shapes appear minimal yet purposeful, giving the piece an architectural quality. The composition is anchored by a central rectangular outline, intersected by fluid lines that hint at form without fully defining it. The title, which translates to Sign and Color, reflects the artist’s exploration of abstract symbols and their relationship to color fields. This piece exudes a meditative calm, inviting viewers to ponder the silent dialogue between line and space.
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Albert Ràfols-Casamada
Portfolio 12th Anniversary Of Galeria Joan Prats , 1988
Limited Edition Print
Lithograph
EUR 500
What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.