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// Albert Oehlen's Hoelle/Arbeit (1989) is a woodcut print that confronts viewers with stark imagery and thematic tension. The composition features two side-by-side portraits of a figure, rendered in bold, black-and-white contrast with rough, expressive lines. Above each figure are the German words “HÖLLE” (Hell) and “ARBEIT” (Work), implying a connection between labor and torment. The facial expressions are almost mask-like, suggesting a detachment or loss of individuality within the context of work. Oehlen's use of woodcut intensifies the raw, graphic quality of the piece, reinforcing its commentary on existential struggle and societal expectations.
Hoelle/Arbeit, 1989
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40 x 30 cm
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// Albert Oehlen's Hoelle/Arbeit (1989) is a woodcut print that confronts viewers with stark imagery and thematic tension. The composition features two side-by-side portraits of a figure, rendered in bold, black-and-white contrast with rough, expressive lines. Above each figure are the German words “HÖLLE” (Hell) and “ARBEIT” (Work), implying a connection between labor and torment. The facial expressions are almost mask-like, suggesting a detachment or loss of individuality within the context of work. Oehlen's use of woodcut intensifies the raw, graphic quality of the piece, reinforcing its commentary on existential struggle and societal expectations.
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Who are the Neue Wilden?
Neue Wilden is the term German artists used for Neo-Expressionism. In the 1970s and 80s, expressive painting re-emerged in Germany, with artists embracing intense colors and broad brushstrokes. The movement grew in opposition to minimal and conceptual art, favoring a return to raw, emotional expression through bold and dynamic painting techniques.
