Sam Francis

Untitled, 1984

106.7 X 73 inch

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Meditation on bureaucratic tendencies at TZK

Albert Oehlen Hoelle/Arbeit woodcut; two portraits side-by-side with rough lines, labeled HÖLLE and ARBEIT above each figure.

// Albert Oehlen's Hoelle/Arbeit (1989) is a woodcut print that confronts viewers with stark imagery and thematic tension. The composition features two side-by-side portraits of a figure, rendered in bold, black-and-white contrast with rough, expressive lines. Above each figure are the German words “HÖLLE” (Hell) and “ARBEIT” (Work), implying a connection between labor and torment. The facial expressions are almost mask-like, suggesting a detachment or loss of individuality within the context of work. Oehlen's use of woodcut intensifies the raw, graphic quality of the piece, reinforcing its commentary on existential struggle and societal expectations.

Artwork Copyright © Albert Oehlen

Hoelle/Arbeit, 1989

form

Medium

Edition

// Albert Oehlen's Hoelle/Arbeit (1989) is a woodcut print that confronts viewers with stark imagery and thematic tension. The composition features two side-by-side portraits of a figure, rendered in bold, black-and-white contrast with rough, expressive lines. Above each figure are the German words “HÖLLE” (Hell) and “ARBEIT” (Work), implying a connection between labor and torment. The facial expressions are almost mask-like, suggesting a detachment or loss of individuality within the context of work. Oehlen's use of woodcut intensifies the raw, graphic quality of the piece, reinforcing its commentary on existential struggle and societal expectations.

Artwork Copyright © Albert Oehlen

Albert Oehlen

Meditation On Bureaucratic Tendencies At TZK, 2020

Limited Edition Print

Lithograph

Currently Not Available

Albert Oehlen

Hoelle/Arbeit, 1989

Limited Edition Print

Woodcut

Currently Not Available

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What is abstract art?

Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.

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