Sam Francis

Untitled, 1984

106.7 X 73 inch

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Whipped butter for Eugen Ruchin

James Rosenquist | Diver's Line | Aquatint available for sale on www.composition.gallery

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Edition of 78 James Rosenquist (born 1933) along with andy Warhol and Roy Lichtenstein is a first generation member of the pop art movement in America. He began his career as a billboard painter and then used that experience to create massive paintings that seem to take in all of American popular culture: cars, missiles, consumer items, sex, movies etc…. He has had retrospectives at the Whitney Museum and the Guggenheim. James Rosenquist was born in Grand Forks, North Dakota. When he was a high school student he won a scholarship to study at the Minneapolis School of Art. He was further educated at the University of Minnesota and the Art Students League in New York. He also attended drawing classes organized by Jack Youngerman and Robert Indiana; at the same time, he was designing store windows and painting billboards to earn a living. This commercial experience led decisively to his particular pop style. His most famous painting, F-Ill, is eighty-six feet long and shares many of the characteristics of a billboard. The preference for anonymity in his subjects carried through to the print media. Rosenquist has made a number of screen prints and etchings, but most of his graphics are lithographs. His prints have frequently been exhibited in galleries and museums and at biennials internationally. They can be found in many permanent collections including those of the Museum of Modern Art, New York, the Musee d'Art Moderne, Paris, and the Art Gallery of Ontario, Toronto

Artwork Copyright © James Rosenquist

James Rosenquist

Diver's Line, 1978

kunstvorm

Medium

Afmeting

71 x 101   cm
  • Inches
  • Centimeters

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Prijs

Details

Kunstenaar

Stijlen

Edition of 78 James Rosenquist (born 1933) along with andy Warhol and Roy Lichtenstein is a first generation member of the pop art movement in America. He began his career as a billboard painter and then used that experience to create massive paintings that seem to take in all of American popular culture: cars, missiles, consumer items, sex, movies etc…. He has had retrospectives at the Whitney Museum and the Guggenheim. James Rosenquist was born in Grand Forks, North Dakota. When he was a high school student he won a scholarship to study at the Minneapolis School of Art. He was further educated at the University of Minnesota and the Art Students League in New York. He also attended drawing classes organized by Jack Youngerman and Robert Indiana; at the same time, he was designing store windows and painting billboards to earn a living. This commercial experience led decisively to his particular pop style. His most famous painting, F-Ill, is eighty-six feet long and shares many of the characteristics of a billboard. The preference for anonymity in his subjects carried through to the print media. Rosenquist has made a number of screen prints and etchings, but most of his graphics are lithographs. His prints have frequently been exhibited in galleries and museums and at biennials internationally. They can be found in many permanent collections including those of the Museum of Modern Art, New York, the Musee d'Art Moderne, Paris, and the Art Gallery of Ontario, Toronto

Artwork Copyright © James Rosenquist
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James Rosenquist Whipped Butter For Eugene screenprint with bold red, yellow, and blue abstract forms on handmade paper.

James Rosenquist

Whipped Butter For Eugene, 1965

Editie / Print

Zeefdruk

Contacteer Ons

James Rosenquist's Forehead I, 1968 lithograph with bold colors, abstract bars, and swirling red forms, signed and numbered edition of 121.

James Rosenquist

Forehead I, 1968

Editie / Print

Lithografie

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James Rosenquist's Moon Box, lithograph, shows a pergola structure casting an American flag's stars and stripes as shadows under a full moon.

James Rosenquist

Moon Box, 1971

Editie / Print

Lithografie

EUR 3,100

James Rosenquist’s Ice Point from Art and Sport, lithograph, shows a fragmented face with blue eyes and red geometric lines.

James Rosenquist

Ice Point From Art And Sport, 1983

Editie / Print

Lithografie

USD 4,450

James Rosenquist’s Yellow Landing, lithograph, shows a yellow square, circular form, and radiant lines with red splashes and geometric shapes.

James Rosenquist

Yellow Landing, 1974

Editie / Print

Lithografie

USD 11,900

James Rosenquist’s Woman in the Sun, lithograph, shows a circle filled with colorful dots and abstract black shapes on the left, with a red explosion form on the right.

James Rosenquist

Woman In The Sun, 1991

Editie / Print

Lithografie

USD 4,450

James Rosenquist’s Nuclear Neighborhood, hand-colored etching, features abstract forms of blue architecture, black shapes, and yellow atomic-like symbols in contrasting sections.

James Rosenquist

Nuclear Neighborhood, 1977

Editie / Print

Ets

USD 3,750

James Rosenquist’s Horse Blinders (South), lithograph and screenprint, combines vibrant colors and metallic surfaces with silver foil in an abstract composition.

James Rosenquist

Horse Blinders (South), 1972

Editie / Print

Zeefdruk

USD 6,200

James Rosenquist, Towel, Star, Sunglasses, hand-colored etching with vibrant colors, concentric rings, and sunglasses outline.

James Rosenquist

Towel, Star, Sunglasses, 1977

Editie / Print

Ets

USD 3,750

James Rosenquist's Where the Water Goes, 1989 collage print, faucet over a pink, blue, and green explosion, blending abstract and mechanical forms.

James Rosenquist

Where The Water Goes (from The Welcome To The Water Planet), 1989

Editie / Print

Collage

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James Rosenquist’s Universal Star Leg lithograph, red splattered background with geometric shapes and a suspended stone.

James Rosenquist

Universal Star Leg, 1974

Editie / Print

Collage

USD 3,200

James Rosenquist, Federal Spending (second state), etching and aquatint, features three abstract red shapes suggesting division and balance.

James Rosenquist

Federal Spending (second State), 1978

Editie / Print

Ets En Aquatint

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James Rosenquist's The World Art Festival lithograph features abstract floral forms, a treble clef, and rainbow bands on a vibrant background.

James Rosenquist

The World Art Festival, 1982

Editie / Print

Lithografie

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James Rosenquist's A Pale Angel's Halo (Yellow) lithograph depicts a yellow arch-like form with energetic lines on a white background.

James Rosenquist

A Pale Angels Halo (Yellow), 1973

Editie / Print

Lithografie

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James Rosenquist's Federal Spending etching features abstract purple, striped circular, and pink glasses forms on a white background.

James Rosenquist

Federal Spending, 1978

Editie / Print

Ets En Aquatint

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James Rosenquist's Miles screenprint features a blue circular explosion with text fragments over a multicolored striped background.

James Rosenquist

Miles, 1975

Editie / Print

Zeefdruk

USD 2,000

James Rosenquist's Just Desert Israel 2nd State, 1979, intaglio with pochoir, features abstract geometric and organic forms in a monochromatic palette.

James Rosenquist

Just Desert Israel 2nd State, 1979

Editie / Print

Gemengde Techniek.

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James Rosenquist's Tide (2nd State), etching, fragmented blue geometric forms and circular elements, set against a textured background, 1976.

James Rosenquist

Tide (2nd State), 1976

Editie / Print

Ets

Contacteer Ons

James Rosenquist's Swing Screen, etching and aquatint, dynamic composition with colorful circle, green shape, and triangle, 1976.

James Rosenquist

Swing Screen, 1976

Editie / Print

Ets En Aquatint

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James Rosenquist, Window Washer Glass House, mixed media print with vibrant abstract shapes and colors on Pescia Italia paper.

James Rosenquist

Window Washer Glass House, 1978

Editie / Print

Gemengde Techniek.

USD 1,450

James Rosenquist Window Washer Glass House print with dark gray abstract lines, textures, and central embossed rectangular form.

James Rosenquist

Window Washer Glass House (black And White), 1978

Editie / Print

Gemengde Techniek.

Contacteer Ons

James Rosenquist's The Flame Still Dances on Leo's Book, 1997 lithograph, shows a vivid flame rising from a book with swirling smoke.

James Rosenquist

The Flame Still Dances On Leos Book, 1997

Editie / Print

Lithografie

Contacteer Ons

James ROSENQUIST | SPOKES (green) | Etching and Aquatint available for sale on composition gallery

James Rosenquist

SPOKES (green), 1978

Editie / Print

Ets En Aquatint

Contacteer Ons

James Rosenquist The Kabuki Blushes mixed media print; bold colors, fragmented images, and textured layers creating a surreal atmosphere.

James Rosenquist

The Kabuki Blushes (from Secrets In Carnations), 1986

Editie / Print

Gemengde Techniek.

USD 8,950

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Wat is Appropriation ?
Artwork by Shepard Fairey

Wat is Appropriation ?

Toe-eigening in de kunst omvat het gebruik van bestaande beelden of objecten met weinig tot geen aanpassing. Deze techniek heeft een belangrijke rol gespeeld in verschillende kunstvormen, waaronder beeldende kunst, muziek, performance en literatuur. In de beeldende kunst verwijst toe-eigening naar de praktijk van het adopteren, samplen, recyclen of lenen van elementen—of zelfs hele vormen—van de bestaande visuele cultuur, om ze in nieuwe werken te integreren en zo betekenis te creëren of kritiek te uiten.

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