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Archival pigment printed on Museo Silver Rag Image: 28 x 22.5 in (71 x 57.2cm). Sheet 33 x 24 in (84.4 x 60.9cm). // William Wegman’s Friends, created in 2010, is an archival pigment print on Museo Silver Rag. This limited edition artwork captures two Weimaraner dogs in an intimate and tender pose. The composition exudes a sense of closeness and calm, with one dog resting its head gently on the other, eyes closed in what appears to be a moment of trust and affection. Wegman, known for his work with Weimaraners, continues his exploration of animal emotion and personality, presenting the dogs in a dignified and touching manner. The stark black background enhances the focus on the dogs, highlighting the texture of their fur and the elegance of their forms.
Friends, 2010
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83.8 x 61 cm
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Details
Artist
Styles
Archival pigment printed on Museo Silver Rag Image: 28 x 22.5 in (71 x 57.2cm). Sheet 33 x 24 in (84.4 x 60.9cm). // William Wegman’s Friends, created in 2010, is an archival pigment print on Museo Silver Rag. This limited edition artwork captures two Weimaraner dogs in an intimate and tender pose. The composition exudes a sense of closeness and calm, with one dog resting its head gently on the other, eyes closed in what appears to be a moment of trust and affection. Wegman, known for his work with Weimaraners, continues his exploration of animal emotion and personality, presenting the dogs in a dignified and touching manner. The stark black background enhances the focus on the dogs, highlighting the texture of their fur and the elegance of their forms.
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William Wegman
Profiles In Patriotism (from Freedom Of Expression), 1992
Limited Edition Print
Lithograph
USD 5,500
What is Spatialism?
Spatialism is an art movement that originated in Italy in 1947, founded by Lucio Fontana with the intention of synthesizing sound, color, movement, and space into a new form of art. The movement's central ideas were outlined in Fontana's first manifesto, published in 1947, where he introduced the concept of spatial art to capture the spirit of the post-war era. His ideas were further developed in five subsequent manifestos. Although Fontana's ideas were sometimes considered vague, his influence was significant, as he was one of the first European artists to emphasize art as a performance and gesture.
