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Numbered in roman numbers /L (50). // S.H. Raza's Symboles 4 (2007) is a richly colored lithograph that exemplifies the artist’s exploration of geometry, symbolism, and vibrant color palettes. Known for his abstract compositions influenced by Indian spirituality and symbolism, Raza constructs a complex interplay of squares, triangles, and a central bindu (dot), symbolizing the seed of creation and unity. The composition is divided into distinct yet harmonized sections, with earthy tones of orange, green, and red dominating, suggesting a connection to nature and the elemental forces. The artwork’s structured symmetry and layered textures invite viewers to delve into a contemplative experience, reflecting Raza’s meditative approach to form and meaning. Limited to 150 prints with 50 in Roman numerals, this piece embodies Raza's signature style, merging abstraction with spiritual themes.
Symboles 4, 2007
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65.5 x 65.5 cm
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Details
Artist
Styles
Numbered in roman numbers /L (50). // S.H. Raza's Symboles 4 (2007) is a richly colored lithograph that exemplifies the artist’s exploration of geometry, symbolism, and vibrant color palettes. Known for his abstract compositions influenced by Indian spirituality and symbolism, Raza constructs a complex interplay of squares, triangles, and a central bindu (dot), symbolizing the seed of creation and unity. The composition is divided into distinct yet harmonized sections, with earthy tones of orange, green, and red dominating, suggesting a connection to nature and the elemental forces. The artwork’s structured symmetry and layered textures invite viewers to delve into a contemplative experience, reflecting Raza’s meditative approach to form and meaning. Limited to 150 prints with 50 in Roman numerals, this piece embodies Raza's signature style, merging abstraction with spiritual themes.
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What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.