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Archival inkjet print and screenprint in colors with industrial rubber flocking, on wove paper, with full margins. Untitled (Good Days) (2012) by Rashid Johnson is a richly layered print combining archival inkjet, color screenprint, and industrial rubber flocking. The work features looping, almost calligraphic black gestures over a woodgrain-like brown background, evoking themes of repetition, ritual, and identity. Johnson's use of materials like rubber, often associated with urban and industrial environments, adds a tactile, gritty presence. The dense black forms seem to drip and obscure, creating a dialogue between visibility and erasure, presence and absence—recurring ideas in Johnson’s exploration of Black identity and cultural memory.
Untitled (Good Days), 2012
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101.1 x 75.7 cm
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Details
Artist
Styles
Archival inkjet print and screenprint in colors with industrial rubber flocking, on wove paper, with full margins. Untitled (Good Days) (2012) by Rashid Johnson is a richly layered print combining archival inkjet, color screenprint, and industrial rubber flocking. The work features looping, almost calligraphic black gestures over a woodgrain-like brown background, evoking themes of repetition, ritual, and identity. Johnson's use of materials like rubber, often associated with urban and industrial environments, adds a tactile, gritty presence. The dense black forms seem to drip and obscure, creating a dialogue between visibility and erasure, presence and absence—recurring ideas in Johnson’s exploration of Black identity and cultural memory.
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What is conceptual art?
Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.
