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Lithograph on Arches vellum with Bateau-Lavoir watermark, justified XVII/XXXV - Image 79 x 58.5 cm / 31 x 23 in - Sheet - 70 x 100 cm;/ 27.5 x 39.25 in - Catalogue Note - Voir: Cahier Paul Delvaux n°4, Galerie Le Bateau-Lavoir, Paris, 1974, n°59 // Paul Delvaux’s L'Impératrice (1974) is a lithograph that portrays a regal woman standing in an architectural setting with classical columns and a grand staircase behind her. The woman, dressed in an elegant gown with a long, flowing cape, holds her hands together in a calm and composed posture. Her expression is serene yet distant, creating an air of authority and mystery. The geometric lines of the background emphasize the symmetry and order of the setting, reminiscent of an ancient palace or temple. Delvaux's attention to detail in both the figure and the surroundings imbues the scene with a timeless quality, blending surrealism with classical beauty.
L'Impératrice, 1974
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Medium
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100 x 70 cm
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Details
Artist
Styles
Lithograph on Arches vellum with Bateau-Lavoir watermark, justified XVII/XXXV - Image 79 x 58.5 cm / 31 x 23 in - Sheet - 70 x 100 cm;/ 27.5 x 39.25 in - Catalogue Note - Voir: Cahier Paul Delvaux n°4, Galerie Le Bateau-Lavoir, Paris, 1974, n°59 // Paul Delvaux’s L'Impératrice (1974) is a lithograph that portrays a regal woman standing in an architectural setting with classical columns and a grand staircase behind her. The woman, dressed in an elegant gown with a long, flowing cape, holds her hands together in a calm and composed posture. Her expression is serene yet distant, creating an air of authority and mystery. The geometric lines of the background emphasize the symmetry and order of the setting, reminiscent of an ancient palace or temple. Delvaux's attention to detail in both the figure and the surroundings imbues the scene with a timeless quality, blending surrealism with classical beauty.
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Paul Delvaux
Construction D'un Temple En Ruine De La Déesse Vanadé Paris, 1975
Limited Edition Print
Etching
Currently Not Available
What is Surrealism?
Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.
