Unicorn (narwhale tooth replica), gold paint, paper, ink.
- The "unicorn" is made of cast resin, hand-painted.
- Sculpture size: 170 cm - Wooden crate size: 180 x 25 x 25 cm
- Quote on the label: 'My most priceless treasure is the unicorn horn which doth
sweat in the presence of poison and when touched to any venomous material doth
have the power of transmuting them'. NICCOLO NICCOLI DE UZZANO. signed, dated.
Mark Dion’s My Most Priceless Treasure (unicorn) from 2004 explores themes of mythology, science, and curiosity. This mixed-media sculpture features a replica of a narwhal tooth, symbolizing the fabled unicorn horn. Set in a wooden crate with a nostalgic label, it evokes Renaissance curiosity cabinets, where such artifacts were cherished for their supposed magical properties. The quote by Niccolò Niccoli de Uzzano reinforces the allure and mystique surrounding unicorn horns, once believed to detect and neutralize poison. Dion’s work critiques and celebrates the history of natural history, blending fact with legend.
Mark Dion (USA, 1961) is a conceptual artist renowned for his installations that mimic scientific presentations, challenging perceptions of history and nature. His works often critique how institutions shape our understanding of the natural world, blending art and science to question objectivity. Dion's notable projects include Neukom Vivarium and The Library for the Birds of New York.
Mixed MediaMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
Unicorn (narwhale tooth replica), gold paint, paper, ink.
- The "unicorn" is made of cast resin, hand-painted.
- Sculpture size: 170 cm - Wooden crate size: 180 x 25 x 25 cm
- Quote on the label: 'My most priceless treasure is the unicorn horn which doth
sweat in the presence of poison and when touched to any venomous material doth
have the power of transmuting them'. NICCOLO NICCOLI DE UZZANO. signed, dated.
Mark Dion’s My Most Priceless Treasure (unicorn) from 2004 explores themes of mythology, science, and curiosity. This mixed-media sculpture features a replica of a narwhal tooth, symbolizing the fabled unicorn horn. Set in a wooden crate with a nostalgic label, it evokes Renaissance curiosity cabinets, where such artifacts were cherished for their supposed magical properties. The quote by Niccolò Niccoli de Uzzano reinforces the allure and mystique surrounding unicorn horns, once believed to detect and neutralize poison. Dion’s work critiques and celebrates the history of natural history, blending fact with legend.
Mark Dion (USA, 1961) is a conceptual artist renowned for his installations that mimic scientific presentations, challenging perceptions of history and nature. His works often critique how institutions shape our understanding of the natural world, blending art and science to question objectivity. Dion's notable projects include Neukom Vivarium and The Library for the Birds of New York.
The job of the artist is to go against the grain of dominant culture, to challenge perception and convention.
- Mark Dion
As a conceptual artist, Mark Dion has received acclaim for his incorporation of scientific presentations throughout his installations as a means of challenging pre-existing notions of history, the natural world and knowledge and the way it has previously been presented. For his Rescue Archaeology piece at the Museum of Modern Art, Dion excavated the construction site surrounding the museum’s extension, and amassed and presented a number of found objects such as pieces of old wallpaper, tiles and keys. The Curiosity Shop is another of Dion’s most notable works; the large-scale mixed media installation features an assortment of his own personal objects, collected over the years from ‘flea markets, yard sales and junk stores’. Of his exploration of existing museum ideologies and the accumulation of objects, Dion has stated that ‘The job of the artist is to go against the grain of dominant culture, to challenge perception and convention’.
Environmental art is a collective term that refers to a wide range of artistic practices and works that engage with historical and ecological themes. The term often encompasses ecological concerns, although it is not exclusively defined by them. Environmental art acknowledges and appreciates the early history of the environmental art movement, including works with activist themes and those celebrating the connection between nature and the artist through the use of natural materials.