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Digital Fujiflex Print Signed, dated and numbered on verso 24/100 each one different. // Discernible Difference by Louise Lawler, created in 2010, is a digital Fujiflex inkjet print that transforms an everyday image into a striking, abstract visual statement. Using bold hues of magenta and green, Lawler focuses on an intense close-up, possibly of an eye, rendering it nearly unrecognizable and giving it an atmospheric, textured effect. Known for her conceptual approach, Lawler often explores themes related to perception, context, and the nature of art itself. The interplay of color and form here challenges the viewer to consider how subtle shifts in presentation can create a distinctly new experience, making each edition in this series uniquely engaging.
Discernible Difference, 2010
form
Medium
Size
20 x 26 cm
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- Centimeters
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Digital Fujiflex Print Signed, dated and numbered on verso 24/100 each one different. // Discernible Difference by Louise Lawler, created in 2010, is a digital Fujiflex inkjet print that transforms an everyday image into a striking, abstract visual statement. Using bold hues of magenta and green, Lawler focuses on an intense close-up, possibly of an eye, rendering it nearly unrecognizable and giving it an atmospheric, textured effect. Known for her conceptual approach, Lawler often explores themes related to perception, context, and the nature of art itself. The interplay of color and form here challenges the viewer to consider how subtle shifts in presentation can create a distinctly new experience, making each edition in this series uniquely engaging.
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Louise Lawler
Pollyanna (adjusted To Fit, Distorted For The Times, More), 2018
Photography
Digital Print On Paper
GBP 1,225
What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.
