Sam Francis

Untitled, 1984

106.7 X 73 inch

Jitish Kallat, RSVP Studies - 3, 2005, mixed-media on paper with monochromatic faces and dynamic ink splatters around “RSVP studies” title.

Mixed media on paper // Jitish Kallat’s RSVP Studies - 3 from 2005 is a mixed-media artwork on paper that combines gouache with expressive ink splatters and figures. The composition features a cluster of monochromatic faces in various expressions, arranged densely around the title “RSVP studies” set in a bold, blue rectangular block. The crowd-like arrangement of faces suggests themes of urban density, collective identity, and anonymity. Kallat’s use of dynamic brushstrokes and splatters injects a sense of chaos and movement, symbolizing the overwhelming presence of people in urban environments. This work exemplifies Kallat’s exploration of social commentary through abstract and representational forms, capturing the essence of contemporary human experience.

Artwork Copyright © Jitish Kallat

RSVP Studies - 3, 2005

form

Medium

Edition

Mixed media on paper // Jitish Kallat’s RSVP Studies - 3 from 2005 is a mixed-media artwork on paper that combines gouache with expressive ink splatters and figures. The composition features a cluster of monochromatic faces in various expressions, arranged densely around the title “RSVP studies” set in a bold, blue rectangular block. The crowd-like arrangement of faces suggests themes of urban density, collective identity, and anonymity. Kallat’s use of dynamic brushstrokes and splatters injects a sense of chaos and movement, symbolizing the overwhelming presence of people in urban environments. This work exemplifies Kallat’s exploration of social commentary through abstract and representational forms, capturing the essence of contemporary human experience.

Artwork Copyright © Jitish Kallat

Jitish Kallat

RSVP Studies - 3, 2005

Painting

Gouache

EUR 12,000

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What is Contemporary art from India?

Contemporary art from India dates from 1985 to the present, marking the post-liberalization era. During this period, artists have felt free to create independently of traditional Hindu or social conventions. They often incorporate distinctly Indian materials and objects in their work, reflecting a blend of modern ideas and cultural heritage.

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