Sam Francis

Untitled, 1984

106.7 X 73 inch

« previous

Chaumières

next »

La Cathédrale

James Ensor’s 'Les Toits à Ostende' 1903 etching of a view over rooftops in Ostend, with fine details of buildings and a cloudy sky.
James Ensor’s 'Les Toits à Ostende' 1903 etching of a view over rooftops in Ostend, with fine details of buildings and a cloudy sky.
James Ensor’s 'Les Toits à Ostende' 1903 etching of a view over rooftops in Ostend, with fine details of buildings and a cloudy sky.

Signed, dated and titled - Image 9.8 x 14.6 mm; 3 3/4 x 5 3/4 inches - Sheet 53 x 40 mm; 20 3/4 x 15 3/4 inches - Bibliography: Delteil, Croquez, Tavernier 120, Elesh 125 // James Ensor’s 'Les Toits à Ostende' is a 1903 etching depicting a view of the rooftops in the Belgian coastal town of Ostend, where Ensor lived for much of his life. This intimate cityscape offers a glimpse into the town's architecture, with clustered buildings, chimneys, and steeples, set against a cloudy, dynamic sky. The fine detail in the etched lines captures the textures of the rooftops and the atmospheric quality of the overcast sky. The perspective feels close, almost as if viewed from a window, evoking a personal and familiar connection to the town. This piece reflects Ensor’s ability to blend realism with a touch of his characteristic expressiveness, portraying the everyday scene with a sensitivity to light, space, and mood.

Artwork Copyright © James Ensor

Les Toits a Ostende, 1903

form

Medium

Edition

Signed, dated and titled - Image 9.8 x 14.6 mm; 3 3/4 x 5 3/4 inches - Sheet 53 x 40 mm; 20 3/4 x 15 3/4 inches - Bibliography: Delteil, Croquez, Tavernier 120, Elesh 125 // James Ensor’s 'Les Toits à Ostende' is a 1903 etching depicting a view of the rooftops in the Belgian coastal town of Ostend, where Ensor lived for much of his life. This intimate cityscape offers a glimpse into the town's architecture, with clustered buildings, chimneys, and steeples, set against a cloudy, dynamic sky. The fine detail in the etched lines captures the textures of the rooftops and the atmospheric quality of the overcast sky. The perspective feels close, almost as if viewed from a window, evoking a personal and familiar connection to the town. This piece reflects Ensor’s ability to blend realism with a touch of his characteristic expressiveness, portraying the everyday scene with a sensitivity to light, space, and mood.

Artwork Copyright © James Ensor

James Ensor

Capture Of A Strange Town, 1888

Limited Edition Print

Etching

EUR 15,350

James Ensor

Peste Dessous Peste Dessus Peste Partout!, 1904

Limited Edition Print

Etching

EUR 13,900

James Ensor

La Mare Aux Peupliers, 1889

Limited Edition Print

Etching

EUR 3,650

James Ensor

Chaumières, 1888

Limited Edition Print

Etching

EUR 1,495

James Ensor

Les Toits A Ostende, 1903

Limited Edition Print

Etching

Currently Not Available

James Ensor

La Cathédrale, 1896

Limited Edition Print

Etching

Currently Not Available

James Ensor

L'Acacia, 1888

Limited Edition Print

Drypoint

Currently Not Available

James Ensor

Candelabre En Vase, 1888

Limited Edition Print

Etching

Currently Not Available

Stay Updated on James Ensor

Subscribe to receive updates on new artworks, exhibitions and news about James Ensor.

We respect your privacy and protect your information.

What is Surrealism?

Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.

RECENTLY VIEWED

Joan Hernández Pijuan’s Hojas

Joan Hernandez Pijuan

Hojas, 1987

Limited Edition Print

Etching

EUR 1,950

Country