Sam Francis

Untitled, 1984

106.7 X 73 inch

« previous

Les Toits a Ostende

next »

L'Acacia

James Ensor’s 'La Cathédrale' 1896 etching of a Gothic cathedral with intricate detailing, towering over a dense crowd of small figures.
James Ensor’s 'La Cathédrale' 1896 etching of a Gothic cathedral with intricate detailing, towering over a dense crowd of small figures.
James Ensor’s 'La Cathédrale' 1896 etching of a Gothic cathedral with intricate detailing, towering over a dense crowd of small figures.

Signed and titled - Image 23.5 x 17.8 cm; 9.24 x 7 in - Sheet 47.5 x 35.6 cm; 18.85 x 14 in - Bibliography: “James Ensor” Taevernier 105; Crunch 7bis; Delteil 105; Elesh 107 // James Ensor’s 'La Cathédrale' is an 1896 etching that features the monumental facade of a Gothic cathedral, depicted in Ensor’s signature detailed and intricate style. The structure towers above a densely packed crowd of tiny, meticulously drawn figures, creating a sense of awe and grandeur. The contrast between the overwhelming scale of the cathedral and the mass of humanity below highlights themes of spiritual power, authority, and the insignificance of the individual in the face of monumental institutions. The delicate, linear details of the etching give the architecture a sense of both permanence and fragility, while the chaotic crowd beneath introduces a sense of dynamism and movement. This piece encapsulates Ensor’s fascination with social gatherings, architectural splendor, and the tension between the individual and the collective.

Artwork Copyright © James Ensor

La Cathédrale, 1896

form

Medium

Edition

Signed and titled - Image 23.5 x 17.8 cm; 9.24 x 7 in - Sheet 47.5 x 35.6 cm; 18.85 x 14 in - Bibliography: “James Ensor” Taevernier 105; Crunch 7bis; Delteil 105; Elesh 107 // James Ensor’s 'La Cathédrale' is an 1896 etching that features the monumental facade of a Gothic cathedral, depicted in Ensor’s signature detailed and intricate style. The structure towers above a densely packed crowd of tiny, meticulously drawn figures, creating a sense of awe and grandeur. The contrast between the overwhelming scale of the cathedral and the mass of humanity below highlights themes of spiritual power, authority, and the insignificance of the individual in the face of monumental institutions. The delicate, linear details of the etching give the architecture a sense of both permanence and fragility, while the chaotic crowd beneath introduces a sense of dynamism and movement. This piece encapsulates Ensor’s fascination with social gatherings, architectural splendor, and the tension between the individual and the collective.

Artwork Copyright © James Ensor

James Ensor

Capture Of A Strange Town, 1888

Limited Edition Print

Etching

EUR 15,350

James Ensor

Peste Dessous Peste Dessus Peste Partout!, 1904

Limited Edition Print

Etching

EUR 13,900

James Ensor

La Mare Aux Peupliers, 1889

Limited Edition Print

Etching

EUR 3,650

James Ensor

Les Toits A Ostende, 1903

Limited Edition Print

Etching

EUR 3,900

James Ensor

La Cathédrale, 1896

Limited Edition Print

Etching

EUR 10,500

James Ensor

L'Acacia, 1888

Limited Edition Print

Drypoint

EUR 1,495

James Ensor

Candelabre En Vase, 1888

Limited Edition Print

Etching

EUR 1,495

James Ensor

Chaumières, 1888

Limited Edition Print

Etching

EUR 1,495

Stay Updated on James Ensor

Subscribe to receive updates on new artworks, exhibitions and news about James Ensor.

We respect your privacy and protect your information.

What is Surrealism?

Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.

RECENTLY VIEWED

-->