Sam Francis

Untitled, 1984

106.7 X 73 inch

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Differential bevel gear

Hiroshi Sugimoto's Surface of Revolution with Constant Negative Curvature gelatin silver print depicting a cone-like form fading into shadows.

// Surface of Revolution with Constant Negative Curvature by Hiroshi Sugimoto is a gelatin silver print that captures the subtle elegance of mathematical forms through minimalist photography. The image portrays a sharply defined, cone-like shape with a smooth, curved surface, fading into deep shadows. Sugimoto's focus on light and texture reveals the meticulous contours and the abstract beauty of negative curvature, creating a contemplative atmosphere. This piece exemplifies Sugimoto’s skill in rendering the sublime through simplicity, inviting viewers to explore the harmony between art and geometry in this silent, introspective composition.

Artwork Copyright © Hiroshi Sugimoto

Surface of revolution with constant negative curvature, 2004

form

Medium

Edition

// Surface of Revolution with Constant Negative Curvature by Hiroshi Sugimoto is a gelatin silver print that captures the subtle elegance of mathematical forms through minimalist photography. The image portrays a sharply defined, cone-like shape with a smooth, curved surface, fading into deep shadows. Sugimoto's focus on light and texture reveals the meticulous contours and the abstract beauty of negative curvature, creating a contemplative atmosphere. This piece exemplifies Sugimoto’s skill in rendering the sublime through simplicity, inviting viewers to explore the harmony between art and geometry in this silent, introspective composition.

Artwork Copyright © Hiroshi Sugimoto

Hiroshi Sugimoto

Surface Of Revolution With Constant Negative Curvature, 2004

Photography

Gelatin Silver Print

EUR 21,400

Hiroshi Sugimoto

Differential Bevel Gear, 2004

Photography

Gelatin Silver Print

EUR 21,400

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What is conceptual art?

Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.

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