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Mechanical Form 0046, Material Testing Machine (2005) by Hiroshi Sugimoto is a gelatin silver print measuring 25 × 20 cm, signed, numbered, and produced in an edition of 25. Part of Sugimoto’s Mechanical Forms series, the photograph captures a vintage material testing machine with striking clarity and dramatic lighting. The metallic dials, gears, and levers emerge from the surrounding darkness, elevating an industrial tool into an almost sculptural presence. Sugimoto’s work often transforms objects of science and technology into meditations on time, history, and the essence of form, bridging functional design and aesthetic contemplation.
Mechanical Form 0046, Material Testing Machine, 2005
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25 x 20 cm
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Details
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Mechanical Form 0046, Material Testing Machine (2005) by Hiroshi Sugimoto is a gelatin silver print measuring 25 × 20 cm, signed, numbered, and produced in an edition of 25. Part of Sugimoto’s Mechanical Forms series, the photograph captures a vintage material testing machine with striking clarity and dramatic lighting. The metallic dials, gears, and levers emerge from the surrounding darkness, elevating an industrial tool into an almost sculptural presence. Sugimoto’s work often transforms objects of science and technology into meditations on time, history, and the essence of form, bridging functional design and aesthetic contemplation.
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Hiroshi Sugimoto
Surface Of Revolution With Constant Negative Curvature, 2004
Photography
Gelatin Silver Print
EUR 21,400
What is ‘light and space’?
The Light and Space Movement refers to loosely affiliated art movements connected to minimalism, geometric abstraction, and op art that originated in Southern California in the 1960s. Greatly influenced by artist John McLaughlin, these artists focused on sensory phenomena such as light, perception, and space as central elements of their work. They also incorporated cutting-edge technologies from the aerospace and engineering industries to develop light-filled and sensuous objects, creating immersive experiences that emphasize the viewer's perception.
