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// Henry Moore's Male Figure in Landscape C.470 (1977) is a lithograph that combines abstracted human form with a moody, textured landscape. The male figure, reclining with a sense of weight and monumentality, appears partially enveloped by the earth, creating a powerful contrast between human and nature. The figure’s rounded, simplified features are characteristic of Moore’s sculptural style, while the dark, atmospheric background suggests depth and isolation. The tonal variations in the lithograph emphasize the figure’s presence within the vastness of the landscape, inviting reflections on themes of humanity, endurance, and the interconnection between body and environment.
Male figure in landscape C.470, 1977
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52 x 59.7 cm
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Details
Artist
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// Henry Moore's Male Figure in Landscape C.470 (1977) is a lithograph that combines abstracted human form with a moody, textured landscape. The male figure, reclining with a sense of weight and monumentality, appears partially enveloped by the earth, creating a powerful contrast between human and nature. The figure’s rounded, simplified features are characteristic of Moore’s sculptural style, while the dark, atmospheric background suggests depth and isolation. The tonal variations in the lithograph emphasize the figure’s presence within the vastness of the landscape, inviting reflections on themes of humanity, endurance, and the interconnection between body and environment.
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Henry Moore
Two Reclining Figures, 1983
Limited Edition Print
Etching And Aquatint
Currently Not Available
What is Surrealism?
Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.
