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After Georges Braque - Aquatint and etching on paper - In Excellent Condition - Hand signed and numbered in lower right in pencil - Literature: Maeght 1017 // Nature Morte Oblique by Georges Braque is a limited edition print created using the techniques of etching and aquatint. This artwork, executed in 1950, features a still life composition with an abstracted arrangement of vessels and fruits, rendered in a muted color palette of soft greens, browns, and grays. The diagonal framing of the composition, typical of Braque's Cubist influences, enhances the geometric interplay between the objects. Braque's innovative approach is evident in the layering of textures and shapes, giving the work a modern, dynamic perspective on a traditional subject. The piece is hand-signed by the artist and numbered as part of an edition of 300.
Nature Morte Oblique, 1950
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27.9 x 27.9 cm
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Details
Artist
Styles
After Georges Braque - Aquatint and etching on paper - In Excellent Condition - Hand signed and numbered in lower right in pencil - Literature: Maeght 1017 // Nature Morte Oblique by Georges Braque is a limited edition print created using the techniques of etching and aquatint. This artwork, executed in 1950, features a still life composition with an abstracted arrangement of vessels and fruits, rendered in a muted color palette of soft greens, browns, and grays. The diagonal framing of the composition, typical of Braque's Cubist influences, enhances the geometric interplay between the objects. Braque's innovative approach is evident in the layering of textures and shapes, giving the work a modern, dynamic perspective on a traditional subject. The piece is hand-signed by the artist and numbered as part of an edition of 300.
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What is Cubism?
Cubism is an art movement that aimed to depict multiple perspectives of objects or figures within a single picture. Artists Georges Braque and Pablo Picasso pioneered this style around 1907. The name Cubism emerged from their use of geometric shapes and outlines that often resembled cubes, breaking objects down into abstracted forms.