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Photo gravure with chine colle? - 2 plates of 78 x 58,5 cm. - Printed on Waranbashi of 63 gr. and Somerset Satin, 410 gr. of 112 x 88,5 cm. // Aquarium II, 3 by Cristina Iglesias is a photogravure created in 2011, printed with chine-collé on delicate Waranbashi and Somerset Satin papers. This limited edition print immerses viewers in a surreal, miniature world where urban and natural elements intertwine. The image depicts an abstracted cityscape within an aquarium, with structures resembling concrete blocks surrounded by foliage and gravel, evoking an eerie yet intriguing juxtaposition of nature reclaiming man-made spaces. Iglesias uses soft contrasts and a monochromatic palette to blur the line between reality and illusion, inviting reflection on themes of urbanization, decay, and the resilience of nature. Part of a limited edition of 15, this piece merges photogravure’s textural depth with Iglesias's meditative exploration of space.
Aquarium II, 3, 2011
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112 x 88.5 cm
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Details
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Photo gravure with chine colle? - 2 plates of 78 x 58,5 cm. - Printed on Waranbashi of 63 gr. and Somerset Satin, 410 gr. of 112 x 88,5 cm. // Aquarium II, 3 by Cristina Iglesias is a photogravure created in 2011, printed with chine-collé on delicate Waranbashi and Somerset Satin papers. This limited edition print immerses viewers in a surreal, miniature world where urban and natural elements intertwine. The image depicts an abstracted cityscape within an aquarium, with structures resembling concrete blocks surrounded by foliage and gravel, evoking an eerie yet intriguing juxtaposition of nature reclaiming man-made spaces. Iglesias uses soft contrasts and a monochromatic palette to blur the line between reality and illusion, inviting reflection on themes of urbanization, decay, and the resilience of nature. Part of a limited edition of 15, this piece merges photogravure’s textural depth with Iglesias's meditative exploration of space.
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What is ‘light and space’?
The Light and Space Movement refers to loosely affiliated art movements connected to minimalism, geometric abstraction, and op art that originated in Southern California in the 1960s. Greatly influenced by artist John McLaughlin, these artists focused on sensory phenomena such as light, perception, and space as central elements of their work. They also incorporated cutting-edge technologies from the aerospace and engineering industries to develop light-filled and sensuous objects, creating immersive experiences that emphasize the viewer's perception.