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Photo gravure with chine colle? - 2 plates of 78 x 58,5 cm. - Printed on Waranbashi of 63 gr. and Somerset Satin, 410 gr. of 112 x 88,5 cm. // Aquarium II, 2 by Cristina Iglesias is a photogravure print from 2011 that combines intricate photographic detail with an evocative, almost surreal landscape. The image depicts what appears to be miniature architectural structures resembling high-rise buildings, set within a natural environment of soil, small plants, and delicate foliage. The juxtaposition of rigid, urban forms with organic, living elements creates a thought-provoking scene that blurs the line between constructed environments and natural ecosystems. Printed on delicate Waranbashi and Somerset Satin paper, this work uses a subtle monochromatic palette, enhancing the sense of depth and texture. Iglesias' photogravure invites viewers to reflect on the interplay between urbanization and nature, capturing an imaginary world where both coexist.
Aquarium II, 2, 2011
form
Medium
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112 x 88.5 cm
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Details
Artist
Styles
Photo gravure with chine colle? - 2 plates of 78 x 58,5 cm. - Printed on Waranbashi of 63 gr. and Somerset Satin, 410 gr. of 112 x 88,5 cm. // Aquarium II, 2 by Cristina Iglesias is a photogravure print from 2011 that combines intricate photographic detail with an evocative, almost surreal landscape. The image depicts what appears to be miniature architectural structures resembling high-rise buildings, set within a natural environment of soil, small plants, and delicate foliage. The juxtaposition of rigid, urban forms with organic, living elements creates a thought-provoking scene that blurs the line between constructed environments and natural ecosystems. Printed on delicate Waranbashi and Somerset Satin paper, this work uses a subtle monochromatic palette, enhancing the sense of depth and texture. Iglesias' photogravure invites viewers to reflect on the interplay between urbanization and nature, capturing an imaginary world where both coexist.
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What is Earth Art?
Earth art, also known as Land Art, emerged in the 1960s and 70s as part of the conceptual art movement. It involves creating artworks by sculpting the land or constructing structures in the landscape using natural materials like earth, rocks, or twigs. These works are often large-scale and emphasize the relationship between art and nature.
