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Photo gravure with chine colle? - 2 plates of 78 x 58,5 cm. - Printed on Waranbashi of 63 gr. and Somerset Satin, 410 gr. of 112 x 88,5 cm. // Aquarium II, 2 by Cristina Iglesias is a photogravure print from 2011 that combines intricate photographic detail with an evocative, almost surreal landscape. The image depicts what appears to be miniature architectural structures resembling high-rise buildings, set within a natural environment of soil, small plants, and delicate foliage. The juxtaposition of rigid, urban forms with organic, living elements creates a thought-provoking scene that blurs the line between constructed environments and natural ecosystems. Printed on delicate Waranbashi and Somerset Satin paper, this work uses a subtle monochromatic palette, enhancing the sense of depth and texture. Iglesias' photogravure invites viewers to reflect on the interplay between urbanization and nature, capturing an imaginary world where both coexist.
Aquarium II, 2, 2011
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112 x 88.5 cm
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Details
Artist
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Photo gravure with chine colle? - 2 plates of 78 x 58,5 cm. - Printed on Waranbashi of 63 gr. and Somerset Satin, 410 gr. of 112 x 88,5 cm. // Aquarium II, 2 by Cristina Iglesias is a photogravure print from 2011 that combines intricate photographic detail with an evocative, almost surreal landscape. The image depicts what appears to be miniature architectural structures resembling high-rise buildings, set within a natural environment of soil, small plants, and delicate foliage. The juxtaposition of rigid, urban forms with organic, living elements creates a thought-provoking scene that blurs the line between constructed environments and natural ecosystems. Printed on delicate Waranbashi and Somerset Satin paper, this work uses a subtle monochromatic palette, enhancing the sense of depth and texture. Iglesias' photogravure invites viewers to reflect on the interplay between urbanization and nature, capturing an imaginary world where both coexist.
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What is ‘light and space’?
The Light and Space Movement refers to loosely affiliated art movements connected to minimalism, geometric abstraction, and op art that originated in Southern California in the 1960s. Greatly influenced by artist John McLaughlin, these artists focused on sensory phenomena such as light, perception, and space as central elements of their work. They also incorporated cutting-edge technologies from the aerospace and engineering industries to develop light-filled and sensuous objects, creating immersive experiences that emphasize the viewer's perception.