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Original etching on Richard de Bas paper - Published by Editions de L'Herne Paris - Suite: Santa Claus - Hand signed by the artist // Alexander Calder's Santa Claus IV (1974) presents an assemblage of abstract, playful figures etched with minimalistic lines, conveying a lively gathering. The scene is filled with various characters, each uniquely expressive in their body language and gestures, creating a sense of interaction and camaraderie. Figures range from skeletal, mask-like faces to more whimsical, cartoonish characters, evoking a surreal, dream-like atmosphere. Part of Calder's Santa Claus suite, this etching on Richard de Bas paper was published by Editions de L'Herne in Paris. The work is signed by Calder and produced in a limited edition of 175, measuring 20 1/2 x 26 3/4 inches. Calder’s line work skillfully captures the essence of movement and emotion, bringing life to a seemingly simplistic composition.
Santa Claus IV, 1974
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Medium
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52.1 x 67.9 cm
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Details
Artist
Styles
Original etching on Richard de Bas paper - Published by Editions de L'Herne Paris - Suite: Santa Claus - Hand signed by the artist // Alexander Calder's Santa Claus IV (1974) presents an assemblage of abstract, playful figures etched with minimalistic lines, conveying a lively gathering. The scene is filled with various characters, each uniquely expressive in their body language and gestures, creating a sense of interaction and camaraderie. Figures range from skeletal, mask-like faces to more whimsical, cartoonish characters, evoking a surreal, dream-like atmosphere. Part of Calder's Santa Claus suite, this etching on Richard de Bas paper was published by Editions de L'Herne in Paris. The work is signed by Calder and produced in a limited edition of 175, measuring 20 1/2 x 26 3/4 inches. Calder’s line work skillfully captures the essence of movement and emotion, bringing life to a seemingly simplistic composition.
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What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.