
Details
Artist
Styles
Original etching on Richard de Bas paper - Published by Editions de L'Herne Paris - Suite: Santa Claus - Hand signed by the artist // Alexander Calder's Santa Claus III (1974) features a simple, yet evocative line drawing of three abstract figures, capturing a scene that oscillates between humor and mystery. Two figures, rendered in a skeletal, mask-like style, float above a pair of seated humanoid figures engaged in a lively interaction. With minimal details, Calder conveys expressive body language and facial expressions that seem to narrate an enigmatic dialogue or playful scene. The piece is part of the Santa Claus suite, created as an etching on Richard de Bas paper and published by Editions de L'Herne in Paris. This work is signed by Calder and produced in an edition of 175, measuring 20 1/2 x 26 3/4 inches. Calder’s use of simple lines to evoke complex interpretations is a testament to his unique artistic vision.
Santa Claus III, 1974
form
Medium
Size
52.1 x 67.9 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Original etching on Richard de Bas paper - Published by Editions de L'Herne Paris - Suite: Santa Claus - Hand signed by the artist // Alexander Calder's Santa Claus III (1974) features a simple, yet evocative line drawing of three abstract figures, capturing a scene that oscillates between humor and mystery. Two figures, rendered in a skeletal, mask-like style, float above a pair of seated humanoid figures engaged in a lively interaction. With minimal details, Calder conveys expressive body language and facial expressions that seem to narrate an enigmatic dialogue or playful scene. The piece is part of the Santa Claus suite, created as an etching on Richard de Bas paper and published by Editions de L'Herne in Paris. This work is signed by Calder and produced in an edition of 175, measuring 20 1/2 x 26 3/4 inches. Calder’s use of simple lines to evoke complex interpretations is a testament to his unique artistic vision.
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What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.