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Lithograph in colors on wove paper - Signed and numbered in pencil // Alexander Calder's 'Le Turban' (1969) is a vibrant lithograph that showcases his mastery of bold color and swirling forms. This piece presents a central spiral design, where intense colors—red, yellow, orange, and blue—radiate outward, contained by bold black lines that enhance the composition's sense of movement and energy. The spiral form, resembling a turban, is visually captivating and creates a hypnotic effect, inviting the viewer to follow its flow. Printed on wove paper, this lithograph measures 43 x 29 1/2 inches and is hand-signed and numbered by Calder in an edition of 75. 'Le Turban' exemplifies Calder's skill in transforming simple geometric shapes into dynamic, energetic works that pulse with vitality.
Le Turban, 1969
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109.2 x 74.9 cm
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Details
Artist
Styles
Lithograph in colors on wove paper - Signed and numbered in pencil // Alexander Calder's 'Le Turban' (1969) is a vibrant lithograph that showcases his mastery of bold color and swirling forms. This piece presents a central spiral design, where intense colors—red, yellow, orange, and blue—radiate outward, contained by bold black lines that enhance the composition's sense of movement and energy. The spiral form, resembling a turban, is visually captivating and creates a hypnotic effect, inviting the viewer to follow its flow. Printed on wove paper, this lithograph measures 43 x 29 1/2 inches and is hand-signed and numbered by Calder in an edition of 75. 'Le Turban' exemplifies Calder's skill in transforming simple geometric shapes into dynamic, energetic works that pulse with vitality.
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Alexander Calder
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What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.
