Sam Francis

Untitled, 1984

106.7 X 73 inch

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Artiste

Styles

This print was part of the exhibition, "Helter Skelter: LA Art in the 1990s", which was held Jan. 26-Apr. 26, 1992 at MOCA in downtown Los Angeles. In the installation by the artist Raymond Pettibon were ten of this print each hand embellished by the artist and one that was from the edition and unaltered.

Artwork Copyright © Raymond Pettibon

Raymond Pettibon

I Value This For It's Associations, 1988

forme

Méthode

Taille

66 x 50.8   cm
  • Pouces
  • Centimètres

Édition

Prix

Détails

Artiste

Styles

This print was part of the exhibition, "Helter Skelter: LA Art in the 1990s", which was held Jan. 26-Apr. 26, 1992 at MOCA in downtown Los Angeles. In the installation by the artist Raymond Pettibon were ten of this print each hand embellished by the artist and one that was from the edition and unaltered.

Artwork Copyright © Raymond Pettibon
TRIER PAR
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  • Prix (bas - elevé )
  • Année (elevé - bas )
  • Année (bas - elevé )
Raymond Pettibon No Title silkscreen print of a bird's nest with two eggs, surrounded by thorny leaves, with cryptic text below.

Raymond Pettibon

No Title (You Have Still), 2002

Édition Limitée

Sérigraphie/Silkscreen

EUR 1,500

Raymond Pettibon's Untitled, It might easily -be drawn into drawings, serigraph with bold black lines and handwritten text exploring art's nature.

Raymond Pettibon

Untitled, It Might Easily -be Drawn Into Drawings, 1990

Édition Limitée

Sérigraphie

USD 2,900

Raymond Pettibon, The World Came into the Church, silkscreen; black abstracted cathedral arches with introspective text above and below.

Raymond Pettibon

The World Came Into The Church, 1991

Édition Limitée

Sérigraphie (Screen-print)

USD 2,950

Raymond Pettibon, Yes, but Alas, silkscreen; abstract blue brushstroke with contemplative text on memory and restoration below.

Raymond Pettibon

Yes, But Alas, 1990

Édition Limitée

Sérigraphie/Silkscreen

USD 2,900

Raymond Pettibon's I Want To Be The Girl In The Wig Commercial, 1989 lithograph with line drawing of woman's face and ironic text critique on media influence.

Raymond Pettibon

I Want To Be The Girl In The Wig Commercial, 1989

Édition Limitée

Lithographie

USD 3,900

Raymond Pettibon's And When I Want to Fly Home, What Do I Do?, 2004 lithograph depicting a winged man in suit with ironic text questioning freedom.

Raymond Pettibon

And When I Want To Fly Home What Do I Do?, 2004

Édition Limitée

Lithographie

USD 2,700

Raymond Pettibon's I’m Losing The Big Picture In The Full Story Of My Life, 2010 lithograph with four fragmented forest scenes and existential text.

Raymond Pettibon

I’m Losing The Big Picture In The Full Story Of My Life, 2010

Édition Limitée

Lithographie

USD 3,900

Raymond Pettibon, Use the Moon, lithograph; black-and-white silhouette of a couple embracing with a moon in the background and text above.

Raymond Pettibon

Use The Moon, 1991

Édition Limitée

Lithographie

Actuellement Indisponible

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Quelle est la nouvelle figuration ?
Artwork by Roger Raveel

Quelle est la nouvelle figuration ?

Art néo-figuratif est un terme collectif qui désigne la renaissance de l'art figuratif en Amérique et en Europe dans les années 1960, après une période dominée par l'abstraction. Michel Ragon, critique d'art français, a soutenu que cette résurgence de la figuration s'est produite à une époque critique de bouleversements sociaux et politiques dans les deux régions.

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Lucien Clergue's black and white portrait of Pablo Picasso

Lucien Clergue

Picasso

Fotografía

Fotografía

EUR 3,000 - 4,500

Pays