Sam Francis

Untitled, 1984

106.7 X 73 inch

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Untitled (w/ Sean Kalish) - set

Keith Haring Poster for Nuclear Disarmament 1982 offset-lithograph with angelic and atomic imagery in bold black lines on white.

Detalles

Artista

Estilos

Offset-lithograph on heavy glazed paper. Signed on the edge in felt pen. Literature: Blindermn, Barry, William S. Burroughs, et.al.. Keith Haring: Future Primeval. 1990, Normal, UniversityGalleries, Illinois State University with Abbeville Press, New York, p.98, illustration of the sumi ink study for the poster. Sussman, Elisabeth, Jeffrey Deitch, David Frankel,Robert Pincus-Witten, et.al. Keith Haring. 1997, New York,Whitney Museum of American Art, p.138, illustrated (an unsigned example) Deitch, Jeffrey, Suzanne Geiss and Julia Gruen. Keith Haring. 2008, New York, Rizzoli, pp.228 – 231, illustrated p.230 (an unsigned example.) Poster for Nuclear Disarmament (1982) de Keith Haring es una litografía offset que refleja su estilo inconfundible y activismo político. Dividido en dos paneles, el superior muestra un bebé radiante rodeado de figuras aladas; el inferior, un símbolo atómico bajo un ojo con una cruz, enmarcado por figuras con columnas. Las líneas gruesas y dinámicas reflejan una tensión entre esperanza y advertencia. Firmado con rotulador en el borde derecho.

Artwork Copyright © Keith Haring

Keith Haring

Poster for Nuclear Disarmament, 1982

Forma

Técnica

Tamaño

61.3 x 45.7   cm
  • Pulgadas
  • Centímetros

Edición

Precio

Detalles

Artista

Estilos

Offset-lithograph on heavy glazed paper. Signed on the edge in felt pen. Literature: Blindermn, Barry, William S. Burroughs, et.al.. Keith Haring: Future Primeval. 1990, Normal, UniversityGalleries, Illinois State University with Abbeville Press, New York, p.98, illustration of the sumi ink study for the poster. Sussman, Elisabeth, Jeffrey Deitch, David Frankel,Robert Pincus-Witten, et.al. Keith Haring. 1997, New York,Whitney Museum of American Art, p.138, illustrated (an unsigned example) Deitch, Jeffrey, Suzanne Geiss and Julia Gruen. Keith Haring. 2008, New York, Rizzoli, pp.228 – 231, illustrated p.230 (an unsigned example.) Poster for Nuclear Disarmament (1982) de Keith Haring es una litografía offset que refleja su estilo inconfundible y activismo político. Dividido en dos paneles, el superior muestra un bebé radiante rodeado de figuras aladas; el inferior, un símbolo atómico bajo un ojo con una cruz, enmarcado por figuras con columnas. Las líneas gruesas y dinámicas reflejan una tensión entre esperanza y advertencia. Firmado con rotulador en el borde derecho.

Artwork Copyright © Keith Haring
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Keith HARING | Pop Shop IV (B) | Screen-print available for sale on composition gallery

Keith Haring

Pop Shop IV (B), 1989

Print De Edición Limitada

Screen-print

USD 50,000 - 60,000

Keith Haring’s Untitled (Cup Man), screen print, shows a yellow segmented figure emerging from stacked cup-like forms.

Keith Haring

Untitled (Cup Man), 1989

Print De Edición Limitada

Screen-print

USD 90,000 - 120,000

Keith Haring's Pop Shop IV (C) silkscreen print featuring two outlined human figures, one red and one yellow, on a brown background.

Keith Haring

Pop Shop IV (C), 1989

Print De Edición Limitada

Silkscreen

USD 40,000 - 50,000

Keith Haring's

Keith Haring

Icons (B) - Barking Dog, 1990

Print De Edición Limitada

Silkscreen

USD 55,000 - 65,000

Keith Haring's Icons (A) - Radiant Baby silkscreen print with orange baby on blue background, surrounded by black radiating lines.

Keith Haring

Icons (A) - Radiant Baby, 1990

Print De Edición Limitada

Silkscreen

USD 55,000 - 70,000

Keith Haring Pop Shop I (D) silkscreen; purple figure lifting teal figure on bright yellow background, surrounded by dynamic black lines.

Keith Haring

Pop Shop I (D), 1987

Print De Edición Limitada

Silkscreen

USD 40,000 - 50,000

Keith Haring's Pop Shop IV (A) silkscreen print with a yellow winged figure in bold black lines on a red background, 1989.

Keith Haring

Pop Shop IV (A), 1989

Print De Edición Limitada

Silkscreen

USD 50,000 - 60,000

Keith Haring, Best Buddies, 1987, silkscreen print with two human figures, one yellow and one red, against a turquoise and purple patterned background.

Keith Haring

Best Buddies, 1987

Print De Edición Limitada

Silkscreen

USD 65,000 - 80,000

Keith Haring’s Untitled (Plate 16), screen print, depicts a figure tumbling down stairs in bold black lines against a dotted background.

Keith Haring

Untitled (Plate 16) From The Blueprint Drawings, 1990

Print De Edición Limitada

Screen-print

USD 35,000 - 45,000

Keith Haring’s Untitled (Plate 17), screen print, shows a figure crawling in a dotted landscape with a pyramid and a dog-like figure in bold black lines.

Keith Haring

Untitled (Plate 17) From The Blueprint Drawings, 1990

Print De Edición Limitada

Screen-print

USD 35,000 - 45,000

Keith Haring's Three Lithographs: One Plate, 1985, lithograph with bold figures, red cross symbol, and radiating lines on BFK Rives paper.

Keith Haring

Three Lithographs: One Plate, 1985

Print De Edición Limitada

Litografía

USD 30,000 - 40,000

Keith Haring's Untitled (Man on Dolphin), bold black line lithograph of a figure riding a dolphin with cheering figures below.

Keith Haring

Untitled (Man On Dolphin), 1987

Print De Edición Limitada

Litografía

Consultar Precio

Keith Haring silkscreen print of a winged angel, outlined in black and filled with yellow, against a light gray background with embossing for texture.

Keith Haring

Icons (C) - Winged Angel, 1990

Print De Edición Limitada

Silkscreen

USD 29,000

Keith Haring's Apocalypse 1 mixed media with red mushroom cloud, black lines, and two Mona Lisa images, exploring societal themes.

Keith Haring

Apocalypse 1, 1988

Print De Edición Limitada

Técnica Mixta

EUR 12,250

Keith Haring's Apocalypse 3, 1988 screen-print, colorful abstract forms and figures surrounding a pyramid in a chaotic scene.

Keith Haring

Apocalypse 3, 1988

Print De Edición Limitada

Screen-print

EUR 12,250

Keith Haring Poster for Nuclear Disarmament 1982 offset-lithograph with angelic and atomic imagery in bold black lines on white.

Keith Haring

Poster For Nuclear Disarmament, 1982

Print De Edición Limitada

Impresión Offset

Consultar Precio

Keith Haring and Sean Kalish complete set of ten etchings with whimsical, surreal figures in playful black linework on white.

Keith Haring

Untitled (w/ Sean Kalish) - Set, 1989

Print De Edición Limitada

Aguafuerte

USD 35,000 - 45,000

Keith Haring Untitled with Sean Kalish etching of double-faced whimsical figure with intricate line details and outstretched arms.

Keith Haring

Untitled (w/ Sean Kalish) #3, 1989

Print De Edición Limitada

Aguafuerte

Consultar Precio

Keith Haring Untitled with Sean Kalish etching of whimsical split-face figure in simple black lines on white paper.

Keith Haring

Untitled (w/ Sean Kalish) #1, 1989

Print De Edición Limitada

Aguafuerte

Consultar Precio

Keith HARING | Story of Red and Blue #19 | Lithograph available for sale on composition gallery

Keith Haring

Story Of Red And Blue #19, 1989

Print De Edición Limitada

Litografía

USD 6,150

Keith Haring’s ‘Story of Red and Blue #17’, lithograph, stylized head with bold black lines, red and blue shapes, and neck coils.

Keith Haring

Story Of Red And Blue #17, 1989

Print De Edición Limitada

Litografía

USD 5,500

Keith HARING | Story of Red and Blue #12 | Lithograph available for sale on composition gallery

Keith Haring

Story Of Red And Blue #12, 1989

Print De Edición Limitada

Litografía

USD 5,500

Keith Haring’s ‘Story of Red and Blue #13’, lithograph, featuring abstract face with bold black lines, red eye, and blue curves.

Keith Haring

Story Of Red And Blue #13, 1989

Print De Edición Limitada

Litografía

USD 4,950

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Keith Haring

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Técnica Mixta

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¿Qué es el arte de las tiras cómicas?
Artwork by Raymond Pettibon

¿Qué es el arte de las tiras cómicas?

El arte de las historietas (Tiras Comicas) se refiere a obras que utilizan los temas y las técnicas de impresión comercial que se encuentran en las tiras cómicas. En la década de 1960, un grupo de artistas comenzó a crear pinturas que incorporaban puntos de Ben-Day—comúnmente utilizados en los cómics y la publicidad—para producir diseños altamente gráficos en colores brillantes, utilizando medios artísticos tradicionales.

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