Sam Francis

Untitled, 1984

106.7 X 73 inch

What is sand?

What is sand?

Sand consists of loose grains of material primarily made up of minerals like quartz, mica, and feldspar, as well as small fragments of rocks. Sand paintings are created by pouring colored sand into intricate designs, often for cultural rituals or special celebrations. These designs can take many days to complete and are traditionally brushed away after the ceremony, emphasizing the impermanence of the artwork.

Gunther Uecker

Ouroboros #12, 2018

Limited Edition Print

Sand

EUR 8,000

Gunther Uecker

Ouroboros #9, 2018

Limited Edition Print

Sand

EUR 8,000

Gunther Uecker

Ouroboros #7, 2018

Limited Edition Print

Sand

EUR 8,000

Gunther Uecker

Ouroboros #5, 2018

Limited Edition Print

Sand

EUR 8,000

Gunther Uecker

Ouroboros #3, 2018

Limited Edition Print

Sand

EUR 8,000

Gunther Uecker

Ouroboros #11, 2018

Limited Edition Print

Sand

EUR 8,000

Gunther Uecker

Ouroboros #10, 2018

Limited Edition Print

Sand

EUR 8,000

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Art Informel

Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.

Eat Art

EAT (Experiments in Art and Technology) was a movement formed to foster collaborations between engineers and artists. It facilitated direct, person-to-person connections between these two groups. The movement was originally launched in 1967 by artists Robert Whitman and Robert Rauschenberg, along with engineers Fred Waldhauer and Billy Klüver. EAT carried out various projects and activities that expanded the role of artists in contemporary society, encouraging the integration of art and technology.

Spatialism

Spatialism is an art movement that originated in Italy in 1947, founded by Lucio Fontana with the intention of synthesizing sound, color, movement, and space into a new form of art. The movement's central ideas were outlined in Fontana's first manifesto, published in 1947, where he introduced the concept of spatial art to capture the spirit of the post-war era. His ideas were further developed in five subsequent manifestos. Although Fontana's ideas were sometimes considered vague, his influence was significant, as he was one of the first European artists to emphasize art as a performance and gesture.

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