Sam Francis

Untitled, 1984

106.7 X 73 inch

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What is Polaroid?

What is Polaroid?

Instant print produced using a Polaroid camera whose degree of plane polarization is very high for light that passes through it. Such a camera produces a finished print as soon as there is an exposure because of its high internal processing speed. Polaroid prints can also be used to mean instant photographs and films.

Image © Michelle / Unsplash

Nobuyoshi Araki

Polaroid #16,

Photography

Polaroid

USD 1,250

Nobuyoshi Araki

Untitled 10,

Photography

Polaroid

USD 1,400

Nobuyoshi Araki

Untitled 8,

Photography

Polaroid

USD 1,400

Nobuyoshi Araki

Untitled 7,

Photography

Polaroid

USD 1,400

Nobuyoshi Araki

Untitled 6,

Photography

Polaroid

USD 1,400

Nobuyoshi Araki

Untitled 5,

Photography

Polaroid

USD 1,400

Nobuyoshi Araki

Untitled 4,

Photography

Polaroid

USD 1,400

Nobuyoshi Araki

Untitled 3,

Photography

Polaroid

USD 1,400

Nobuyoshi Araki

Untitled 2,

Photography

Polaroid

USD 1,400

Nobuyoshi Araki

Untitled 1,

Photography

Polaroid

USD 1,400

William Wegman

Untitled (Spaniels), 2005

Photography

Polaroid

USD 1,900

William Wegman

Untitled (Spaniels), 2005

Photography

Polaroid

USD 1,900

Nobuyoshi Araki

Polaroid #10, 2009

Photography

Polaroid

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Mamma Andersson

Polaroid, 2015

Photography

Polaroid

Currently Not Available

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Surrealism

Surrealism began in the 1920s with artists and writers whose works aimed to reveal the unconscious to unleash subconscious imagination, and explore unusual imagery. Bringing the unconscious into rational life was one key thematic goal of this group influenced by Sigmund Freud’s psychoanalysis theories.

Actionism

Short-violent art movement in the 20th century. Can be regarded as a major part of the many independent struggles and efforts to build the "action art" in the 1960s. Well known participants of this movement were Arnulf Rainer and Hermann Nitsch.

Readymade

Readymade is the term Marcel Duchamp used to describe his artworks made from objects which were manufactured. The French artist first used the term, and artists who work similarly now use it. Duchamp chose functional objects which he felt had visual indifference.

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