Sam Francis

Untitled, 1984

106.7 X 73 inch

What is Intaglio?

What is Intaglio?

Intaglio is a printmaking technique where a design is incised below the surface of a metal or stone plate. Ink is applied to the plate, filling the incised lines or depressions, while the surface is wiped clean. The ink in the depressions is then transferred to paper using an etching press. Common intaglio techniques include engraving, etching, and drypoint.

Jack Youngerman

Untitled 2, from the White Portfolio, 1972

Limited Edition Print

Intaglio

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Jack Youngerman

Untitled 1, from the White Portfolio, 1972

Limited Edition Print

Intaglio

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Harland Miller

Happiness (small), 2017

Limited Edition Print

Intaglio

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Carmen Herrera

Untitled (Vertical Blue Band), 2018

Limited Edition Print

Intaglio

GBP 7,000 - 10,000

Yoshitomo Nara

Y.N. (Self-Portrait), 2002

Limited Edition Print

Intaglio

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Damien Hirst

Memento 3, 2008

Limited Edition Print

Intaglio

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Helen Frankenthaler

Valentine for Mr. Wonderful (book), 1995

Limited Edition Print

Intaglio

USD 15,700

James Rosenquist

Just Desert Israel 2nd State, 1979

Limited Edition Print

Intaglio

Inquire For Price

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Grupo Ruptura

Grupo Ruptura was an organization formed in Brazil by artists who sought to break away from traditional naturalist painting in favor of geometric abstract art. In the early 1950s, the group published the Ruptura Manifesto, advocating for new art for a new country. The manifesto emphasized a departure from the past and a commitment to innovation, aligning with the modernist vision of Brazil as a forward-looking nation.

Latin American Art

Latin American Art is a style which takes inspiration from its culture, society, politics, native traditions, religions and landscape. Op-Art and Kinetic Art figure prominently in Latin artworks. Colors in Latin American compositions are often bold. Latin American artists work in all media and movements.

Auto-destructive art

A term coined to describe artworks that are designed to be destroyed during their creation. Gustav Metzger, who developed this concept, outlined key principles: the artwork must disintegrate within 20 years, be self-completing, and involve public participation.

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