Sam Francis

Untitled, 1984

106.7 X 73 inch

What is Clay?

What is Clay?

Clay is a natural material formed when rocks break down over time due to weathering. Water carries the fine particles of earth, which accumulate as a soft, sticky substance called muck. This muck is collected, cleaned, and refined by removing impurities like rocks and adding sand to improve its texture, resulting in usable clay.

Pablo Picasso

Angler, 1955

Ceramics

Clay

EUR 7,800

Pablo Picasso

Sujet poisson (A.R. 139), 1952

Sculpture / Object

Clay

EUR 15,000

Pablo Picasso

Petit visage barbu (A.R. 557), 1968 - 1969

Sculpture / Object

Clay

USD 6,700

Pablo Picasso

Yan Barbu (Bearded Yan), 1963

Sculpture / Object

Clay

Inquire For Price

Pablo Picasso

Bird with tuft, 1952

Sculpture / Object

Clay

USD 3,900

Pablo Picasso

Bird under the sun, 1952

Sculpture / Object

Clay

USD 4,250

Pablo Picasso

Bird with worm, 1952

Sculpture / Object

Clay

USD 3,550

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Space Art

Space Art is an artistic genre that depicts the cosmic elements of the universe, including celestial bodies, interstellar space, and space exploration. It began in 1865 with the first science-based illustrations by A. de Neuville and Emile Bayard in Jules Verne’s novel From the Earth to the Moon. Space Art has since evolved to include various forms of visual art inspired by astronomical discoveries and the human imagination, playing a key role in visualizing the wonders of space.

Grupo Frente

Grupo Frente was a movement founded in 1954 in Brazil by teaching artist Ivan Serpa. The movement included many students from the Rio de Janeiro Museum of Modern Art and sought to reject the nationalism and figuration present in the modernist forms of Brazilian painting. Grupo Frente emphasized experimentation and abstraction, aiming to explore new artistic possibilities beyond traditional constraints.

Gutai

Gutai was a group of Japanese radical artists who formed the Gutai Art Association in 1954. The word Gutai translates to embodiment. The group was known for creating art on the spot for live audiences, often incorporating their own physical movements. Their performances included actions like throwing paint, piercing paper, and rolling in mud, emphasizing the direct interaction between the body and the material.

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