Olafur Eliasson – Studioblick, 2013 – Mixed Media

Glass sphere and lacquer with stainless steel wall mount

Studioblick by Olafur Eliasson, created in 2013, is a mixed-media sculpture that combines a glass sphere with a lacquered surface and a stainless steel wall mount. This minimalistic yet captivating piece measures 13 x 13 x 13 cm and presents a refined, spherical form that reflects Eliasson’s interest in perception, light, and spatial awareness. The central glass area creates an intriguing optical effect, drawing viewers to inspect the subtle distortions and reflections. Eliasson’s work often explores the relationship between object and viewer, encouraging an immersive experience. Studioblick invites contemplation on how we view and interact with form and space.

Olafur Eliasson (Denmark/Iceland, 1967) creates immersive installations exploring light, perception, and the environment. Known for works like The Weather Project at Tate Modern, he blends art, science, and technology to inspire awareness of nature and sustainability.

Olafur Eliasson

Studioblick, 2013

Form

Sculpture / Object

Sculpture / ObjectA sculpture is a three-dimension object made using any one of the basic sculpting processes. These include carving, casting, constructing or modeling. Carving materials may be bone, ivory, stone or wood. Modeling and casting use clay or wax, while constructions glue materials together.

Medium

Mixed Media

Mixed MediaMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.

Edition

Edition of 130 + 10 AP

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Glass sphere and lacquer with stainless steel wall mount

Olafur Eliasson

Studioblick, 2013

Sculpture / Object

Mixed Media

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Mirrorstage (...), 2004

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Art is not a matter of reproducing the visible, but of making visible.
- Olafur Eliasson

Olafur Eliasson’s work is more than art for art’s sake alone. He is known for large-scale installations and sculptures created with the purpose of raising awareness about climate change and inspiring the viewer to take action to protect the natural environment.

One of Eliasson’s most powerful outdoor installations, known as Ice-Watch, consists of thirty blocks of glacial ice set out to melt. Visitors can see, touch, and walk around these giant blocks of natural ice and see up close the effect of global warming on the glaciers of Greenland. Eliasson’s purpose is to go beyond dispensing information on a cerebral level. The artist seeks to tap into the viewer’s emotional connection to the imminent threat of global warming.

Eliasson’s gained attention with his 2003 installation titled The Weather Project, featuring a giant sun rising out of the mist. The effect was created by placing a giant semicircle on a mirrored ceiling and the use of projection foil, haze machines, and street lamps. Visitors could have the experience of being close to the sun in the sky, and become connected to the solar system.

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Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.

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Olafur Eliasson