Sam Francis

Untitled, 1984

106.7 X 73 inch

Lisa Yuskavage, Forces, lithograph, two intertwined female figures in monochrome with geometric blocks, in a dreamlike landscape.

// Forces by Lisa Yuskavage is a haunting lithograph from 2007, produced in a limited edition of 46. This monochromatic piece depicts two intertwined female figures, enveloped in an ambiguous, dreamlike landscape filled with geometric, block-like forms. Yuskavage's signature style often blends sensuality with surrealism, and this work is no exception. The figures, rendered in soft, atmospheric shading, convey a sense of vulnerability and intimacy, their expressions contemplative and somber. The surrounding structures suggest a world that is both constructed and fragmented, echoing themes of emotional complexity and inner turmoil. Forces is a poignant exploration of connection, isolation, and the enigmatic spaces within human relationships.

Artwork Copyright © Lisa Yuskavage

Forces, 2007

form

Medium

Edition

// Forces by Lisa Yuskavage is a haunting lithograph from 2007, produced in a limited edition of 46. This monochromatic piece depicts two intertwined female figures, enveloped in an ambiguous, dreamlike landscape filled with geometric, block-like forms. Yuskavage's signature style often blends sensuality with surrealism, and this work is no exception. The figures, rendered in soft, atmospheric shading, convey a sense of vulnerability and intimacy, their expressions contemplative and somber. The surrounding structures suggest a world that is both constructed and fragmented, echoing themes of emotional complexity and inner turmoil. Forces is a poignant exploration of connection, isolation, and the enigmatic spaces within human relationships.

Artwork Copyright © Lisa Yuskavage

Lisa Yuskavage

Forces, 2007

Limited Edition Print

Lithograph

Currently Not Available

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What is new figuration?

Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.

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