Sam Francis

Untitled, 1984

106.7 X 73 inch

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Unité 5

Le Corbusier’s Unité 6, etching and aquatint, 1963-1965. Seashell, fish, and hands against a pink and orange background with black lines.

Etching and aquatint in colours, on BFK Rives paper, with full margins. - This work is from the UNITÉ book, which began to be printed in 1963 and ended on October 15, 1965 in Paris. - I. 41.5 x 31.5 cm (16 3/8 x 12 3/8 in.) - S. 57 x 45.2 cm (22 1/2 x 17 3/4 in.) - Signed and numbered in pencil, from the edition of 130 pc + 30 in Roman numerals, published by Atelier Crommelynck, Paris // Le Corbusier’s Unité 6 (1963-1965) is a limited-edition etching and aquatint printed on BFK Rives paper. This colorful composition juxtaposes organic forms, such as a seashell and a fish, against a backdrop of vibrant horizontal bands in pink, orange, green, and red. The lower portion of the piece features a set of simplified hands, drawn in bold black lines. These elements together evoke themes of nature and humanity, with the dynamic color palette bringing a sense of life and movement to the otherwise abstract forms. Le Corbusier’s masterful combination of natural motifs and geometric abstraction creates a visual dialogue between the organic and the constructed.

Artwork Copyright © Le Corbusier

Unité 6, 1963-1965

form

Medium

Edition

Etching and aquatint in colours, on BFK Rives paper, with full margins. - This work is from the UNITÉ book, which began to be printed in 1963 and ended on October 15, 1965 in Paris. - I. 41.5 x 31.5 cm (16 3/8 x 12 3/8 in.) - S. 57 x 45.2 cm (22 1/2 x 17 3/4 in.) - Signed and numbered in pencil, from the edition of 130 pc + 30 in Roman numerals, published by Atelier Crommelynck, Paris // Le Corbusier’s Unité 6 (1963-1965) is a limited-edition etching and aquatint printed on BFK Rives paper. This colorful composition juxtaposes organic forms, such as a seashell and a fish, against a backdrop of vibrant horizontal bands in pink, orange, green, and red. The lower portion of the piece features a set of simplified hands, drawn in bold black lines. These elements together evoke themes of nature and humanity, with the dynamic color palette bringing a sense of life and movement to the otherwise abstract forms. Le Corbusier’s masterful combination of natural motifs and geometric abstraction creates a visual dialogue between the organic and the constructed.

Artwork Copyright © Le Corbusier

Le Corbusier

Unité 20, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 19, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 17, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 3,750

Le Corbusier

Unité 15, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 16, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 13, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 3,750

Le Corbusier

Unité 12, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 3,750

Le Corbusier

Unité 11, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 10, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 9, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 6, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 5, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 4, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 3, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 2, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 1, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

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What is Cubism?

Cubism is an art movement that aimed to depict multiple perspectives of objects or figures within a single picture. Artists Georges Braque and Pablo Picasso pioneered this style around 1907. The name Cubism emerged from their use of geometric shapes and outlines that often resembled cubes, breaking objects down into abstracted forms.

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