Sam Francis

Untitled, 1984

106.7 X 73 inch

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Poema visual 6

Joan Brossa's Signes 11, lithograph; minimalist arrangement of abstract shapes resembling a face within two black arcs.

// Signes 11 by Joan Brossa is a minimalist lithograph from 1989, capturing Brossa's affinity for symbolic and abstract forms. The composition is sparse, featuring a central arrangement of simple shapes—two bold black arcs, yellow teardrops, orange triangles, dots, a pink circle, and a green wavy line. These shapes come together in a seemingly playful, yet intentional arrangement, creating a form reminiscent of a face or emotive symbol. Brossa, known for his exploration of visual poetry, invites viewers to find meaning in this arrangement, challenging them to interpret the significance of each element within its open, minimal context.

Artwork Copyright © Joan Brossa

Signes 11, 1989

form

Medium

Edition

// Signes 11 by Joan Brossa is a minimalist lithograph from 1989, capturing Brossa's affinity for symbolic and abstract forms. The composition is sparse, featuring a central arrangement of simple shapes—two bold black arcs, yellow teardrops, orange triangles, dots, a pink circle, and a green wavy line. These shapes come together in a seemingly playful, yet intentional arrangement, creating a form reminiscent of a face or emotive symbol. Brossa, known for his exploration of visual poetry, invites viewers to find meaning in this arrangement, challenging them to interpret the significance of each element within its open, minimal context.

Artwork Copyright © Joan Brossa

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What is Surrealism?

Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.

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