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// Joan Brossa’s Poema visual 16 (1989) is a striking lithograph that plays with visual poetry and symbolism. The composition features a pair of black binoculars with two vibrant red handprints superimposed on the lenses, creating a powerful contrast between color and form. The handprints evoke a sense of touch and immediacy, inviting viewers to contemplate ideas of observation and perception. Known for blending poetry and visual art, Brossa’s work often challenges viewers to interpret symbols in unconventional ways, merging linguistic elements with imagery. Poema visual 16 prompts reflection on how we view and experience the world, bridging the tangible with the symbolic.
Poema visual 16, 1989
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Medium
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38 x 50 cm
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Details
Artist
Styles
// Joan Brossa’s Poema visual 16 (1989) is a striking lithograph that plays with visual poetry and symbolism. The composition features a pair of black binoculars with two vibrant red handprints superimposed on the lenses, creating a powerful contrast between color and form. The handprints evoke a sense of touch and immediacy, inviting viewers to contemplate ideas of observation and perception. Known for blending poetry and visual art, Brossa’s work often challenges viewers to interpret symbols in unconventional ways, merging linguistic elements with imagery. Poema visual 16 prompts reflection on how we view and experience the world, bridging the tangible with the symbolic.
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What is dada?
Also known as Dadaism, Dada was a literary and artistic movement that began in 1916 in Zurich, Switzerland. It emerged as a rejection of rationalism and nationalism, which were seen as contributing factors to World War I. The movement had political undertones and was strongly anti-war. Dada activities included demonstrations, gatherings, and the publication of literary and art journals that explored cultural and political topics.