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// Joan Brossa's Comboi (1989) is a witty and playful lithograph that uses typographic elements to convey a visual narrative. The image consists of three large, bold As, each linked by tiny hand-drawn hands pointing at each other, while a small abstract figure stands atop the first A. The minimalist design and use of type as imagery are signature elements of Brossa's work in visual poetry, where language and image converge. This piece suggests ideas of connection, direction, and perhaps a critique of conformity, as the letters form a uniform line that emphasizes structure and unity, while the pointing hands add a layer of interaction and humor.
Comboi, 1989
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Medium
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38 x 50 cm
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Details
Artist
Styles
// Joan Brossa's Comboi (1989) is a witty and playful lithograph that uses typographic elements to convey a visual narrative. The image consists of three large, bold As, each linked by tiny hand-drawn hands pointing at each other, while a small abstract figure stands atop the first A. The minimalist design and use of type as imagery are signature elements of Brossa's work in visual poetry, where language and image converge. This piece suggests ideas of connection, direction, and perhaps a critique of conformity, as the letters form a uniform line that emphasizes structure and unity, while the pointing hands add a layer of interaction and humor.
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What is Surrealism?
Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.