Sam Francis

Untitled, 1984

106.7 X 73 inch

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Unité 3

Le Corbusier’s Unité 4, etching and aquatint, 1963-1965. Abstract hand-like figure holding an object, framed with geometric shapes, brown tones.

Etching and aquatint in colours, on BFK Rives paper, with full margins. - This work is from the UNITÉ book, which began to be printed in 1963 and ended on October 15, 1965 in Paris. - I. 41.5 x 31.5 cm (16 3/8 x 12 3/8 in.) - S. 57 x 45.2 cm (22 1/2 x 17 3/4 in.) - Signed and numbered in pencil, from the edition of 130 pc + 30 in Roman numerals, published by Atelier Crommelynck, Paris - Edition number 63/130 // Le Corbusier’s Unité 4 (1963-1965) is a limited-edition etching and aquatint in colors, printed on BFK Rives paper. The composition features abstract and figurative elements, such as a large hand-like form holding an object, alongside geometric shapes. The upper portion includes a pattern of interlocking shapes resembling layered hands or tools in a brown hue. The central figure is framed within a rectangular panel, lending a sense of structure to the otherwise fluid and organic forms. The use of earthy tones, such as brown and beige, contrasts with bright accents, creating a balanced yet dynamic visual experience. This piece reflects Le Corbusier's exploration of human form in relation to space and object.

Artwork Copyright © Le Corbusier

Unité 4, 1963-1965

form

Medium

Edition

Etching and aquatint in colours, on BFK Rives paper, with full margins. - This work is from the UNITÉ book, which began to be printed in 1963 and ended on October 15, 1965 in Paris. - I. 41.5 x 31.5 cm (16 3/8 x 12 3/8 in.) - S. 57 x 45.2 cm (22 1/2 x 17 3/4 in.) - Signed and numbered in pencil, from the edition of 130 pc + 30 in Roman numerals, published by Atelier Crommelynck, Paris - Edition number 63/130 // Le Corbusier’s Unité 4 (1963-1965) is a limited-edition etching and aquatint in colors, printed on BFK Rives paper. The composition features abstract and figurative elements, such as a large hand-like form holding an object, alongside geometric shapes. The upper portion includes a pattern of interlocking shapes resembling layered hands or tools in a brown hue. The central figure is framed within a rectangular panel, lending a sense of structure to the otherwise fluid and organic forms. The use of earthy tones, such as brown and beige, contrasts with bright accents, creating a balanced yet dynamic visual experience. This piece reflects Le Corbusier's exploration of human form in relation to space and object.

Artwork Copyright © Le Corbusier

Le Corbusier

Unité 20, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 19, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 17, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 3,750

Le Corbusier

Unité 15, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 16, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 13, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 3,750

Le Corbusier

Unité 12, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 3,750

Le Corbusier

Unité 11, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 10, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 9, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 6, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 5, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 4, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 3, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 2, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 1, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

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What is Cubism?

Cubism is an art movement that aimed to depict multiple perspectives of objects or figures within a single picture. Artists Georges Braque and Pablo Picasso pioneered this style around 1907. The name Cubism emerged from their use of geometric shapes and outlines that often resembled cubes, breaking objects down into abstracted forms.

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