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Original lithograph printed on 300 gr. Velin d'arches paper. Signed and numbered. Printed by Editions Copenhagen. Emmelyn Butterfield-Rosen (2014) by Elizabeth Peyton is a lithograph portraying an introspective seated figure, composed in her distinctively linear, gestural style. The portrait is rendered in shades of burgundy, built from sharp, calligraphic strokes that define both the subject and a richly patterned background. Peyton captures the sitter in a reflective moment, framed by abstracted elements—floral motifs and spatial cues—that create a sense of interiority. The work emphasizes psychological presence over strict realism, offering a personal, contemplative mood. This edition is limited to just 30 prints.
Emmelyn Butterfield-Rosen, 2014
form
Medium
Size
69.9 x 51.4 cm
- Inches
- Centimeters
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Details
Artist
Styles
Original lithograph printed on 300 gr. Velin d'arches paper. Signed and numbered. Printed by Editions Copenhagen. Emmelyn Butterfield-Rosen (2014) by Elizabeth Peyton is a lithograph portraying an introspective seated figure, composed in her distinctively linear, gestural style. The portrait is rendered in shades of burgundy, built from sharp, calligraphic strokes that define both the subject and a richly patterned background. Peyton captures the sitter in a reflective moment, framed by abstracted elements—floral motifs and spatial cues—that create a sense of interiority. The work emphasizes psychological presence over strict realism, offering a personal, contemplative mood. This edition is limited to just 30 prints.
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What is new figuration?
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.
