Details
Artist
Styles
Portrait of Elias Bender Ronnefeldt, the lead singer of Danish punk band Iceage. Published by Texte Zur Kunst in Berlin, Germany. Signed, titled, dated and numbered. Elias (2014) by Elizabeth Peyton is a lithograph that captures the expressive essence of portraiture through gestural brushwork and minimalist tonal contrast. Rendered in sweeping black ink-like strokes on a pale ground, the portrait suggests vulnerability and introspection. Peyton, known for her emotionally intimate depictions of cultural figures and friends, maintains her signature immediacy and fluidity in this work. The sparse detailing and raw execution emphasize mood over realism, inviting viewers to engage with the emotional presence of the subject. This lithograph is from an edition of 100.
Elias, 2014
form
Medium
Size
65.4 x 50.2 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Portrait of Elias Bender Ronnefeldt, the lead singer of Danish punk band Iceage. Published by Texte Zur Kunst in Berlin, Germany. Signed, titled, dated and numbered. Elias (2014) by Elizabeth Peyton is a lithograph that captures the expressive essence of portraiture through gestural brushwork and minimalist tonal contrast. Rendered in sweeping black ink-like strokes on a pale ground, the portrait suggests vulnerability and introspection. Peyton, known for her emotionally intimate depictions of cultural figures and friends, maintains her signature immediacy and fluidity in this work. The sparse detailing and raw execution emphasize mood over realism, inviting viewers to engage with the emotional presence of the subject. This lithograph is from an edition of 100.
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Elizabeth Peyton
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Limited Edition Print
Lithograph
Inquire For Price
Elizabeth Peyton
Elio, Oliver (Call Me By Your Name), 2023
Limited Edition Print
Silkscreen
GBP 3,350
What is new figuration?
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.
