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Soot - Black Stone, Plate 3 from the Series of 6, 1975 - Lithograph on Larroque mill paper, signed. - Embossed stamps of the artist and publisher in the lower right corner. Wet stamp of Gemini, Los Angeles, on the reverse. - Literature: S. Engberg, J. Banach, 163, 164, 166. // Robert Motherwell's Soot - Black Stone, Plate 3 (1975) is a lithograph from a series of six works that showcase his mastery of abstraction and minimalism. This piece features an abstract, textured black-and-white form at the center, evocative of a rugged stone, set against a deep black background. Two curving white lines frame the central shape, adding balance and fluidity to the composition. Printed on Larroque mill paper, the work measures 90 x 60 cm and is part of a limited edition of 47. It is signed by the artist in pencil and includes embossed stamps from the artist and publisher in the lower right corner, with a Gemini, Los Angeles, wet stamp on the reverse. This work is catalogued in S. Engberg, J. Banach, 163, 164, 166.
Soot - Black Stone, Plate 3, 1975
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Medium
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90 x 60 cm
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Details
Artists
Styles
Soot - Black Stone, Plate 3 from the Series of 6, 1975 - Lithograph on Larroque mill paper, signed. - Embossed stamps of the artist and publisher in the lower right corner. Wet stamp of Gemini, Los Angeles, on the reverse. - Literature: S. Engberg, J. Banach, 163, 164, 166. // Robert Motherwell's Soot - Black Stone, Plate 3 (1975) is a lithograph from a series of six works that showcase his mastery of abstraction and minimalism. This piece features an abstract, textured black-and-white form at the center, evocative of a rugged stone, set against a deep black background. Two curving white lines frame the central shape, adding balance and fluidity to the composition. Printed on Larroque mill paper, the work measures 90 x 60 cm and is part of a limited edition of 47. It is signed by the artist in pencil and includes embossed stamps from the artist and publisher in the lower right corner, with a Gemini, Los Angeles, wet stamp on the reverse. This work is catalogued in S. Engberg, J. Banach, 163, 164, 166.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.