
Details
Artist
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Soot - Black Stone, Plate 2 from the Series of 6, 1975 - Lithograph on Larroque mill paper, signed. - Embossed stamps of the artist and publisher in the lower right corner. Wet stamp of Gemini, Los Angeles, on the reverse. - Literature: S. Engberg, J. Banach, 163, 164, 166. // Robert Motherwell's Soot - Black Stone, Plate 2 (1975) continues his minimalist exploration of texture and abstraction within a series of six lithographs. Printed on Larroque mill paper, the composition features a central, abstract black-and-white form resembling a fragmented stone or geological structure, surrounded by subtle, curving white lines against a deep black background. These elements create a sense of spatial tension and organic rhythm. Measuring 90 x 60 cm, the lithograph is part of a limited edition of 47, signed by the artist and bearing the embossed stamps of the artist and publisher in the lower right corner. The reverse includes a wet stamp from Gemini, Los Angeles. This work is catalogued in S. Engberg, J. Banach, 163, 164, 166.
Soot - Black Stone, Plate 2, 1975
form
Medium
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90 x 60 cm
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Details
Artist
Styles
Soot - Black Stone, Plate 2 from the Series of 6, 1975 - Lithograph on Larroque mill paper, signed. - Embossed stamps of the artist and publisher in the lower right corner. Wet stamp of Gemini, Los Angeles, on the reverse. - Literature: S. Engberg, J. Banach, 163, 164, 166. // Robert Motherwell's Soot - Black Stone, Plate 2 (1975) continues his minimalist exploration of texture and abstraction within a series of six lithographs. Printed on Larroque mill paper, the composition features a central, abstract black-and-white form resembling a fragmented stone or geological structure, surrounded by subtle, curving white lines against a deep black background. These elements create a sense of spatial tension and organic rhythm. Measuring 90 x 60 cm, the lithograph is part of a limited edition of 47, signed by the artist and bearing the embossed stamps of the artist and publisher in the lower right corner. The reverse includes a wet stamp from Gemini, Los Angeles. This work is catalogued in S. Engberg, J. Banach, 163, 164, 166.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.