
Details
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Soot - Black Stone, Plate 1 from the Series of 6 - Lithograph on Larroque mill paper, signed in penci - Embossed stamps of the artist and publisher in the lower right corner. Wet stamp of Gemini, Los Angeles, on the reverse. - LIterature: S. Engberg, J. Banach, 163. // Robert Motherwell's Soot - Black Stone, Plate 1 (1975) is a lithograph from a series of six works that exemplify his exploration of texture, abstraction, and minimalism. Printed on Larroque mill paper, the composition features a central abstract black-and-white form resembling a weathered stone, set against a stark black background. The addition of fine, curving white lines introduces a sense of balance and movement, evoking organic and geological themes. Measuring 90 x 60 cm, this work is part of a limited edition of 52, signed by the artist in pencil. It also bears the embossed stamps of the artist and publisher in the lower right corner, with a Gemini, Los Angeles, wet stamp on the reverse. A striking piece, it is referenced in S. Engberg, J. Banach, 163.
Soot - Black Stone, Plate 1, 1975
form
Medium
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90 x 60 cm
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Details
Artist
Styles
Soot - Black Stone, Plate 1 from the Series of 6 - Lithograph on Larroque mill paper, signed in penci - Embossed stamps of the artist and publisher in the lower right corner. Wet stamp of Gemini, Los Angeles, on the reverse. - LIterature: S. Engberg, J. Banach, 163. // Robert Motherwell's Soot - Black Stone, Plate 1 (1975) is a lithograph from a series of six works that exemplify his exploration of texture, abstraction, and minimalism. Printed on Larroque mill paper, the composition features a central abstract black-and-white form resembling a weathered stone, set against a stark black background. The addition of fine, curving white lines introduces a sense of balance and movement, evoking organic and geological themes. Measuring 90 x 60 cm, this work is part of a limited edition of 52, signed by the artist in pencil. It also bears the embossed stamps of the artist and publisher in the lower right corner, with a Gemini, Los Angeles, wet stamp on the reverse. A striking piece, it is referenced in S. Engberg, J. Banach, 163.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.