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Pochoir in colors, on Arches paper, from the book edition of 250 (there was also a portfolio edition of 100 without text) - Published by T ériade, Paris - With full margins, with the central vertical fold (as issued) - Image: 14.25 x 21.5 in. (36.2 x 54.6 cm.) - Sheet: 16 5/8 x 25 5/8 in. (42.2 x 65.1 cm.) - Literature: Duthuit Books 22 // Henri Matisse’s Le Cirque from his iconic 1947 Jazz series is a vibrant pochoir print that captures the dynamic energy of the circus. Rendered in bold, flat colors, the composition juxtaposes abstract text with fluid, organic shapes. On the left, bright yellows and reds form the fragmented word "CIRQUE," while on the right, a silhouetted acrobat leaps against a backdrop of electric blue and white. Matisse’s signature paper-cutout style conveys movement and whimsy, emphasizing rhythm and spontaneity. Published by Tériade, this work reflects the artist’s fascination with performance and life’s vibrancy, distilled into a modern, playful aesthetic.
Le Cirque, from Jazz, 1947
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42.2 x 65.1 cm
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Pochoir in colors, on Arches paper, from the book edition of 250 (there was also a portfolio edition of 100 without text) - Published by T ériade, Paris - With full margins, with the central vertical fold (as issued) - Image: 14.25 x 21.5 in. (36.2 x 54.6 cm.) - Sheet: 16 5/8 x 25 5/8 in. (42.2 x 65.1 cm.) - Literature: Duthuit Books 22 // Henri Matisse’s Le Cirque from his iconic 1947 Jazz series is a vibrant pochoir print that captures the dynamic energy of the circus. Rendered in bold, flat colors, the composition juxtaposes abstract text with fluid, organic shapes. On the left, bright yellows and reds form the fragmented word "CIRQUE," while on the right, a silhouetted acrobat leaps against a backdrop of electric blue and white. Matisse’s signature paper-cutout style conveys movement and whimsy, emphasizing rhythm and spontaneity. Published by Tériade, this work reflects the artist’s fascination with performance and life’s vibrancy, distilled into a modern, playful aesthetic.
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Henri Matisse
Composition (noir, Vert, Blanc - Rouge, Bleu, Blanc), 1953
Limited Edition Print
Mixed Media
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Henri Matisse
L'Espagnol à La Mantille, 1925
Limited Edition Print
Etching And Aquatint
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What is Mono-Ha?
Meaning School of Things, Mono-ha originated in Tokyo in the mid-1960s. Instead of creating traditional artwork, the artists of Mono-ha used different materials and their natural properties to express dismay at the industrialization taking place in Japan at the time. The movement gained international attention and is now a widely respected form of art, known for its emphasis on the relationship between materials and their environment.