By Elena Fontaine, France
Geometric abstraction, a movement that emerged in the early 20th century, represents a profound shift in the art world from the representational to the purely abstract. This movement sees artists utilizing geometric forms as the primary medium of their expressive language, diverging significantly from the traditional focus on depicting the observable world. Through the use of simple geometric shapes—squares, circles, lines, and rectangles—artists explore the harmony, rhythm, and dynamism inherent within these forms, often with a deep engagement in mathematical principles and spatial relationships. This article delves into the essence of geometric abstraction, highlighting its significance and the contributions of key artists who have defined and expanded this captivating visual language.
At its core, geometric abstraction is not merely about the simplicity or complexity of shapes but about the underlying ideas and emotions these shapes can convey. It is a language that speaks to universal aesthetics and principles, transcending cultural and temporal boundaries. The movement has roots in several avant-garde movements of the early 20th century, including Cubism, Constructivism, and Futurism, each contributing to its evolution and the broader acceptance of abstraction in art.
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